In this June 29, 2015 photo, hairdresser Loavia Bienaime, 30, sits on her bed as she prepares to begin her day in the room her family occupies in an government office building that was damaged in the 2010 earthquake in Port-au-Prince, Haiti. Bienaime's husband, Jimmy Bellefleur, used his skill as an electrician to connect the abandoned building to the power grid, and has repaired broken televisions, fans, and a blender for the family to use. (Photo by Rebecca Blackwell/AP Photo)

A female hippopotamus named “Mali”, which means Jasmine, eats fruits arranged to look like a cake during her 50th birthday celebration at Dusit Zoo in Bangkok, Thailand September 23, 2016. (Photo by Chaiwat Subprasom/Reuters)

This week's full Moon as photographed from on board the International Space Station by NASA astronaut Jeff Williams on August 19, 2016. Jeff is currently Commander of the Space Station for the Expedition 48 crew. (Photo by Jeff Williams/NASA)

A videographer uses a drone as he takes a video of a model presenting a lingerie creation at the rehearsal for Eve's Temptation collection during China Fashion Week in Beijing, October 26, 2014. (Photo by Kim Kyung-Hoon/Reuters)

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)

Getting it done. Felicity, an athlete at an amateur weightlifting competition in a small local gym. (Photo by Clinton Bradbury/Women in Sport Photo Action Awards 2021)

Record snowfall in the Sahara Desert near the town of Ain Sefra in Algeria on January 21, 2017. (Photo by Geoff Robinson/Rex Features/Shutterstock)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)