A wolf looks into the camera at the 30 km (19 miles) exclusion zone around the Chernobyl nuclear reactor in the abandoned village of Orevichi, Belarus, March 2, 2016. What happens to the environment when humans disappear? Thirty years after the Chernobyl nuclear disaster, booming populations of wolf, elk and other wildlife in the vast contaminated zone in Belarus and Ukraine provide a clue. (Photo by Vasily Fedosenko/Reuters)

To the woman presented a flower in Sevastopol, Ukraine, on March 8, 2013. Activists presented this day on the street free 155 tulips to women. The police tried to arrest activists for illegal trade as couldn't believe in free distribution of flowers. (Photo by Sergey Anashkevitch)

Nikolay Skidan, a hunter, carries the skin of a wolf in the village of Khrapkovo, Belarus February 1, 2017. Wolf fur grows thickest in winter, so Belarussian hunter Vladimir Krivenchik only sets his traps once snow is on the ground. He and his wife live on the edge of the Chernobyl exclusion zone – 2,600 square km of land on the Belarus-Ukraine border that was contaminated by a nuclear disaster in 1986. (Photo by Vasily Fedosenko/Reuters)

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.

Moscow riot police prepare to move on activists during an unsacnctioned anti-Putin opposition rally at the Pushkin Square March 5, 2012 in central Moscow, Russia. Amid charges of fraud, demonstrators took to the streets a day after Vladimir Putin declared victory in Russia's presidential elections. (Photos by: Rustem Adagamov; Source: LiveJournal; Gleb Shchelkunov; Source: LiveJournal; Ilya Varlamov; Source: LiveJournal; Raskalov; Source: LiveJournal; Dmitry Chistoprudov; Source: LiveJournal)

An Emerald City Kickball member makes their way up the parade route on March 02, 2024 in Sydney, Australia. Emerald City Kickball began in 2020 as a project between friends to find a safe and affirming way to create an inclusive community during the COVID-19 pandemic. As a recreational sport that is available to players regardless of skill or experience level, kickball quickly became a vibrant piece of the Sydney LGBT community. (Photo by Don Arnold/WireImage)

A woman looks at traditional Ukrainian Easter eggs “Pysanka”, installed as part of the upcoming celebrations of Easter, in central Kiev, Ukraine, April 29, 2016. A pysanka is a Ukrainian Easter egg, decorated with traditional Ukrainian folk designs using a wax-resist (batik) method. The word pysanka comes from the verb pysaty, “to write”, as the designs are not painted on, but written with beeswax. Many other eastern European ethnic groups decorate eggs using wax resist for Easter. These include the Belarusians, Bulgarians, Croats, Czechs, Hungarians, Lithuanians, Poles, Romanians, Serbs, Slovaks, Slovenes and Sorbs. (Photo by Valentyn Ogirenko/Reuters)

Ukrainian artist Dariya Marchenko works on a portrait of Russian President Vladimir Putin named “The Face of War” which is made out of 5,000 cartridges brought from the frontline in eastern Ukraine, in Kiev, July 23, 2015. The portrait will be presented along with a novel which will tell personal stories of six people involved in this project including Daria's own story and stories of people who helped her to collect shells from the frontline. Daria Marchenko calls her art approach philosophic symbolism where every element has its hidden meaning. In her works cartridges mean human's life that was brutally ended. (Photo by Gleb Garanich/Reuters)