A cow is seen on land that used to be under water, at the Aculeo Lagoon in Paine, Chile, May 14, 2018. (Photo by Matias Delacroix/Reuters)

First place, The Beauty of Plants. “There are many stages of lotus growth on display at the Aquatic Gardens, but to come across twotwisted dancing stems of nelumbo nucifera was unexpected and quite magical”. (Photo by Kathleen Furey/The Guardian)

Radio City Music Hall Rockettes perform after days of rehearsal and routine polished to perfection at the Radio City Music Hall in New York City on July 26, 1949. (Photo by Ivan Dmitri/Getty Images)

A mother of a victim who was onboard sunken ferry Sewol, leaves a message on a desk used by her child at an empty classroom, which was preserved since the disaster, at Danwon high school during the second anniversary of the disaster in Ansan, South Korea, April 16, 2016. (Photo by Kim Hong-Ji/Reuters)

A pool ingeniously filled with clear water in the middle of Lake Kerniki in Greece enabled this shot of feeding pelicans. (Photo by Bence Mate/Close Up Photographer of the Year 2020)

Shooting star by Tony Wu, US/Japan. Winner, underwater. The electrifying reproductive dance of a giant sea star. As the surrounding water filled with sperm and eggs from spawning sea stars, Wu faced several challenges. Stuck in a small, enclosed bay with only a macro lens for photographing small subjects, he backed up to squeeze the undulating sea star into his field of view. The dancing posture of spawning sea stars rising and swaying may help release eggs and sperm, or may help sweep the eggs and sperm into the currents where they fertilise together in the water. Kinko Bay, Japan. (Photo by Tony Wu/Wildlife Photographer of the Year)

A huge atlas moth, with a wingspan of more than 9in, photographed on an areca nut plantation in Sirsi, India. (Photo by Uday Hegde/Close Up Photographer of the Year)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)