A woman poses with her twins before the Igboora World Twins Festival 2024, in Igbo-Ora on October 12, 2024. (Photo by Olympia de Maismont/AFP Photo)

Forrest Walker, “Police Walk”. Walker describes this shot, taken in 2015 at the last officially permitted Pride parade in Istanbul, as a tense and surreal experience. His focus is on a woman walking calmly in front of a line of riot police, her attitude part defiance and part performance. (Photo by Forrest Walker/All About Photo awards 2025 via The Guardian)

A girls’ Friday night out on the town, in Bristol, England, 2009. As in most big cities in the UK, around the weekend you see women with very minimal clothing on, wandering around regardless of the temperature. (Photo by Martin Parr/Magnum Photos)

Female members of the Colombian Army take part in the military parade to commemorate Colombia's Independence Day in Bogota on July 20, 2024. (Photo by Alejandro Martinez/AFP Photo)

Moana Mason, 8, participates in the People's Summit event on Guajara Bay during the COP30 U.N. Climate Summit, Wednesday, November 12, 2025, in Belem, Brazil. (Photo by Joshua A. Bickel/AP Photo)

In this January 11, 2017 photo, Erika Martins uses black electrical tape to create a customer's bikini, in order to attain crisp tan lines, on her rooftop Erika Bronze salon in the suburb of Realengo in Rio de Janeiro, Brazil. Martins wears a microphone connected to an open speaker system in order to direct her assistants to clients who need more tanning lotion or a sprinkling of water on their skin. (Photo by Renata Brito/AP Photo)

Cairo-based artist Chanel Arif's paints for her art project called After Dinner that uses humans and their surroundings as her canvas, in her gallery in the capital of Cairo, Egypt March 2, 2017. (Photo by Sherif Fahmy/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)