A Polisario fighter sits on a rock at a forward base on the outskirts of Tifariti, Western Sahara, September 9, 2016. At a rocky outpost in Western Sahara, a new generation of soldiers who have never known war are mobilising as tensions resurface in one of Africa's oldest disputes after a quarter century of uneasy peace. (Photo by Zohra Bensemra/Reuters)

Bloodthirsty by Thomas P. Peschak, Germany/South Africa — winner, Behaviour: birds. When rations run short on Wolf Island, in the remote northern Galápagos, the sharp-beaked ground finches become vampires. Their sitting targets are Nazca boobies and other large birds. The finches rely on a scant diet of seeds and insects, which regularly dries up, so they drink blood to survive. ‘I’ve seen more than half a dozen finches drinking from a single Nazca booby,’ says Tom. Rather than leave their nests the boobies tolerate the vampires, and the blood loss doesn’t seem to cause permanent harm. (Photo by Thomas P. Peschak/2018 Wildlife Photographer of the Year)

A dead red-tailed monkey hangs by its tail above the ground, in order to keep it away from ants, in the forest near the city of Mbandaka, Democratic Republic of the Congo, April 5, 2019. Bushmeat hunters are emptying Central Africa's forests at a high rate, researchers say. A growing appetite for wild meat in cities has ramped up the scale of hunting. Research shows around 6 million tonnes of bushmeat are sourced annually from the Congo Basin, whose forest spans across six countries and is second in size only to the Amazon. (Photo by Thomas Nicolon/Reuters)

In this Sunday, August 5, 2012 file photo South Africa's Oscar Pistorius starts in the men's semi-finals of the 400-meter in the Olympic Stadium at the 2012 Summer Olympics, London. Pistorius could be granted parole on Friday, Nov. 24, 2023 after nearly 10 years in prison for killing his girlfriend. The double-amputee Olympic runner was convicted of a charge comparable to third-degree murder for shooting Reeva Steenkamp in his home in 2013. He has been in prison since late 2014. (Photo by Anja Niedringhaus/AP Photo)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

“I'm Josh Fancher, a 21 year old with an avid interest in photography, including macro, nature and wildlife, night photography, landscapes, cityscapes and architectural photography. Inspired by the beautiful and amazing water drop photography of Martin Waugh, I started doing water drop collisions in December of 2007. I use a 105mm Micro Nikkor lens for water drops, along with a pair of Nikon SB 600 flashes. I recently got a StopShot system (Nov 2009), which makes timing a lot easier. Before then, timing was manual, with an eye dropper, eye-hand coordination, and a lot of patience” – Josh Fancher. (Photo by Josh Fancher)

In this January 8, 2015 photo, a monk Kenmyo Muta bows at the condominium construction site and the gate of Sengakuji temple in Tokyo. The “47 ronin” samurai who inspired the long-loved saga of loyalty and honor eulogized in films, books and plays are fighting a new kind of battle in urban Japan. An apartment complex is going up next to the curved tile-roofed Sengakuji temple where the three-century-old graves of the ronin, or masterless samurai, lie. The banner reads: “We only hope to protect landscape of Sengakuji temple”. (Photo by Eugene Hoshiko/AP Photo)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)