“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

Hawa Mahal, which translates as the Palace of Winds, was built in 1799 by Maharaja Sawai Pratap Singh. The design of the palace was created by Shreyansh Jain to resemble the crown of Krishna. The design of this unique five-story building is akin to a honeycomb. The main purpose of this building was to allow royal ladies to watch the street below while remaining unseen, since during those times they had a strict code of dressing, which meant covering their faces. The palace was designed to produce the Venturi effect, which created natural air conditioning and kept the interior relatively cool during hot summers.

Are you a fan of beards? If you are, have you ever thought that it might look like some sort of furry animal? David Kiefaber thought of the same thing when he participated in the “Free Your Skin” campaign, organized by Y&R New Zealand. You might think that you look all rugged and manly while wearing that luscious beard. But in reality, you simply look like a guy with a dead squirrel on his face. Or a raccoon… if you’re a greying middle-aged man. Hopefully, you’re not one of those people whose beard looks and/or smells like a skunk.

An elephant calf yawns as mahouts paint elephants ahead of celebrations for the water festival of Songkran in Ayutthaya, Thailand on April 11, 2019. The annual elephant Songkran event is held to promote the tourism industry. Songkran Festival is held also to mark the Thai traditional New Year falling annually on 13 April, and it is celebrated with people splashing water and putting powder on each other faces as a symbolic sign of cleansing and washing away the sins from the past year. (Photo by Soe Zeya Tun/Reuters)

The worst drought in 40 years has a cruel grip on Somalia. A struggling young government and militant violence have compounded to bring crisis to 6.7 million lives. The town of Baidoa is facing some of the harshest conditions. Surrounded by territory controlled by al-Shabaab militants and amid ongoing attacks, 160,000 people have had to leave their farms and are surviving in camps where hunger, thirst and cholera await them. (Photo by Peter Caton/Mercy Corps)

This photo taken on February 1, 2018 shows a worker trimming the skin imperfections of a silicone doll at a factory of EXDOLL, a firm based in the northeastern Chinese port city of Dalian. With China facing a massive gender gap and a greying population, a company wants to hook up lonely men and retirees with a new kind of companion: “Smart” sеx dolls that can talk, play music and turn on dishwashers. (Photo by Fred Dufour/AFP Photo)

A frog appears to have a big smile for the camera, Russia. Things are heating up at the Comedy Wildlife Photography Awards as the shortlisted final 40 entries are revealed. This year's competition has featured over 2200 hilarious entries from around the world with photos including a fox face planting in the snow, a dancing brown bear and a pair of seemingly headless penguins – all beautifully photographed with perfect comedy timing and a strong conservation message. (Photo by Artyom Krivosheev/Barcroft Images/Comedy Wildlife Photography Awards 2016)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.