A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Pope Francis meets Spider-Man, who presents him with his mask, at the end of his weekly general audience with a limited number of faithful in the San Damaso Courtyard at the Vatican, Wednesday, June 23, 2021. The masked man works with sick children in hospitals. (Photo by Andrew Medichini/AP Photo)

Faithful wearing face mask pray during the Arafah prayer ceremony ahead of Eid al-Adha, at the Tehran university’s mosque in Tehran, Iran, 30 July 2020. Iran will not hold the Eid al-Adha prayers and ceremonies over the coronavirus (COVID-19) crisis in the country. (Photo by Abedin Taherkenareh/EPA/EFE)

A Muslim faithful display her henna decoration before attending Eid al-Fitr prayers, marking the end of the fasting month of Ramadan, at the Masjid Salaam grounds in Nairobi, Kenya on April 21, 2023. (Photo by Monicah Mwangi/Reuters)

The bare feet of a devotee are pictured as she takes a dip at the Bagmati River during the “Bol Bom” (Say Shiva) pilgrimage in Kathmandu July 21, 2014. The faithful, chanting the name of Lord Shiva, run about 15 km (9 miles) barefooted toward Pashupatinath temple seeking good health, wealth and happiness. (Photo by Navesh Chitrakar/Reuters)

A woman looks at a mural by South African artist FAITH 47 which decorates a wall in the village of Erriadh, on the Tunisian island of Djerba, on August 8, 2014, as part of the artistic project “Djerbahood”. Artists from 34 diffrents nationalities were invited by France-based Tunisian artist Mehdi Ben Cheikh to take part in an initiative to turn Djerba's Erriadh district into an “open sky museum”. (Photo by Joel Saget/AFP Photo)

Abigail Doyle from St David's Holy Faith Secondary School, Greystones, modeling her Alice in Wonderland themed outfit designed for the Upcycled category of the An Taisce Green-Schools Let's Fix Fashion catwalk event in Cashel, Ireland on May 4, 2023. (Photo by Diarmuid Greene/The Irish Times)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.