Snakes hang from a wooden cabinet marked with the Chinese characters “poisonous snake”, at a snake soup shop ahead of the Spring Festival in Hong Kong January 29, 2013. (Photo by Bobby Yip/Reuters)

Girls sleep in the back of their father's moto-taxi as he watches them from the front seat, days after an earthquake in Pedernales, Ecuador, Wednesday, April 20, 2016. A fresh tremor rattled Ecuador before dawn Wednesday, a magnitude-6.1 jolt that set babies crying and shaken residents pouring once again into the streets, fearful of yet more damage following a monster earthquake over the weekend. (Photo by Dolores Ochoa/AP Photo)

Children try to walk through a flooded street at Kampung Melayu residential area in Jakarta, December 23, 2014. Torrential rains that have continued in Indonesia in recent days have widened the number of flooded areas that include Jakarta and Bandung, a local newspaper said on Tuesday. (Photo by Reuters/Beawiharta)

A woman takes her souvenir picture with a white fox in front of ice sculptures illuminated by coloured lights during the opening day of the 31st Harbin International Ice and Snow Festival in the northern city of Harbin, Heilongjiang province, January 5, 2015. The annual Ice and Snow Festival, organized by China National Tourism Administration and local governments, kicked off on Monday in Harbin, one of the coldest cities in China. (Photo by Kim Kyung-Hoon/Reuters)

Since 2003, photographer Sergey Fomin has been shooting Russia’s most attractive natural, historical, and architectural objects from different aircrafts. Photo: “An Explosive Scene”. The 1,486-meter-high Karymskii Volcano in Kamchatka. (Photo by Sergey Fomin)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

“John Constables's «The Hay Wein» meets «Bender» from «Futurama»”. (Photo and caption by Dave Pollot/Caters News)

Dan Luvisi reimagines beloved animated characters and turns them into grimy, twisted, hideous personas that may have just scarred us of our fondest memories from childhood forever. Photo: “The Cook”. (Photo by Dan Luvisi)