Third place: the rear leg, claw and respiratory trachea of a louse (Haematopinus suis). (Photo by Frank Reiser/Nassau Community College/Nikon Small World Photomicrography 2021)

The opening of sculptor Carole Feuerman solo outdoor public art show, Sea Idylls, on Park Avenue in NYC on April 27, 2023. The hyperrealistic sculptures in conjunction with Les Galeries Bartoux and Patrons of Park Avenue line the median. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)

Peter Weiss, director of the Space Department of COMEX, (c) tests a pressurized suit identical to those used in space expeditions in the lava tunnel of “Caverne Gendarme” on October 12, 2018 in Saint-Philippe, the French overseas island of Reunion. Reunion could become a training site for astronauts. (Photo by Richard Bouhet/AFP Photo)

People try to keep warm their hands by a heater as they wait for their seats outside a restaurant at an outdoor shopping mall in Beijing, Saturday, December 23, 2023. A cold wave began earlier in the week bringing extensive snowfall and freezing temperatures across China. (Photo by Andy Wong/AP Photo)

A climate change activist plays a violin in Times Square as Manhattan is shrouded in haze and smoke which drifted south from wildfires in Canada, in New York City, New York, U.S., June 7, 2023. (Photo by Maye-E Wong/Reuters)

Ace Wu searches the deep to photograph stunning underwater creatures. Against their predominantly black backdrops, Wu’s breathtaking subjects glow with sublime vibrancy. In one, a fearsome fish glares at the camera with rows of sharp teeth showing, while in another, a translucent octopus looks like an extraterrestrial. Here: Wunderpus larva. (Photo by Ace Wu/Caters News Agency)

US Vogue’s top fashion editor works with photographers to inject style with sci-fi and fantasy. A new book, “Stoppers: Photographs from My Life at Vogue” by Phyllis Posnick and Vogue’s chief editor, Anna Wintour, highlights the results. Here: Surburban Woman #10, Mountainville, New York, August 2006. (Photo by Steven Klein)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)