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Moscow, September 2012. (Igor Mukhin)

Moscow, September 2012. (Photo by Igor Mukhin)
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21 Oct 2013 11:39:00
Tourists pay a visit to  Edradour distillery on March 26, 2012 in Pitlochry, United Kingdom

Tourists pay a visit to Edradour distillery on March 26, 2012 in Pitlochry, United Kingdom. (Photo by Jeff J. Mitchell/Getty Images)
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28 Mar 2012 10:25:00
Three-month old cheetah cubs make their public debut at the Smithsonian National Zoo on July 24, 2012 in Washington, DC

Three-month old cheetah cubs make their public debut at the Smithsonian National Zoo on July 24, 2012 in Washington, DC. (Photo by T.J. Kirkpatrick)
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25 Jul 2012 08:54:00
National Children's Sumo tournament in Tokyo, 2012

This young boy wrestled with his emotions at the National Children’s Sumo ­Tournament in Tokyo on July 30, 2012. (Photo by AP Photo/LaPresse)
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01 Aug 2012 11:18:00
Balloons participate in the Balloon Spectacular during Canberra Festival on 2012 in Canberra, Australia

Balloons participate in the Balloon Spectacular during Canberra Festival on March 10, 2012 in Canberra, Australia. The annual balloon festival in Canberra is considered one of the best in the world, and is unique in allowing patrons to float above Parliament, embassies and other government buildings. Canberra is celebrating its 99th birthday in 2012, with over 50 events in the 17 day Canberra Festival. (Photo by Cameron Spencer/Getty Images)
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10 Mar 2012 12:09:00
Eleven-year-old Kelen loves to dance in the half-built rooms of the centre in Kabanga Refuge Centre, Tanzania, 2012. (Photo by Ana Palacios/Barcroft Images)

Eleven-year-old Kelen loves to dance in the half-built rooms of the centre in Kabanga Refuge Centre, Tanzania, 2012. The rescue centres protect albino people from the vicious hunters who sell their body parts to witch doctors. Photojournalist Ana Palacios, 43, visited the centre in Tanzania three times between 2012 and 2016 to find out more about the plight of albino people. (Photo by Ana Palacios/Barcroft Images)
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01 Oct 2016 11:02:00
Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. The coronavirus pandemic has made Tokyo's geisha fear for their centuries-old profession as never before. Though the number of geisha - famed for their witty conversation, beauty and skill at traditional arts - has been falling for years, they were without work for months due to Japan's state of emergency and now operate under awkward social distancing rules. Engagements are down 95 percent, and come with new rules: no pouring drinks for customers or touching them even to shake hands, and sitting 2 meters apart. Masks are hard to wear with their elaborate wigs, so they mostly don't. “I was just full of anxiety”, said Mayu, 47. “I went through my photos, sorted my kimonos ... The thought of a second wave is terrifying”. (Photo by Kim Kyung-Hoon/Reuters)

Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. (Photo by Kim Kyung-Hoon/Reuters)
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23 Jul 2020 00:03:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00