Law enforcement officers detain a demonstrator during a protest against federal immigration sweeps near the U.S. immigration court at the Jacob K. Javits Federal Building in New York City, on June 10, 2025. (Photo by Eduardo Munoz/Reuters)

Grace Ann Nader, Brooks Nader, Mary Holland Nader and Sarah Jane Nader celebrate their new show “Love Thy Nader” at the top of the Empire State Building in NYC on August 26, 2025. (Photo by Erik Pendzich/Rex Features/Shutterstock)

The Fuel Girls with their fire and pyro performance on stage in London on September 20, 2025. The Big London Tattoo Show, the UK's largest tattoo convention, is in full swing at ExCeL London, transforming the venue into a bold celebration of tattoo artistry and alternative culture. (Phoot by Imageplotter/Alamy Live News)

President Donald Trump is reflected in a mirror as he and Saudi Crown Prince Mohammed bin Salman walk along the White House Colonnade on Tuesday, November 18, 2025. The crown prince was welcomed to the White House with all the trappings of a state visit, including a black-tie dinner in the East Room. (Photo by Haiyun Jiang/The New York Times)

Susanna Bauer was born in 1969 in Bavaria, Germany. She has lived in England since 1996. Susanna has worked for the television and film industry for over 16 years, making objects like King Arthur’s chalice, cheeses for Wallace and Gromit, miniature robots, spaceships and buildings.

Gianluca Pardelli is something of an expert on markets. For the past two years, he’s travelled across eastern Europe, from Azerbaijan to Uzbekistan, Moldova to Georgia, photographing them. Here: Telavi, Georgia. (Photo by Gianluca Pardelli)

Pedestrians are falling after a gust of wind in Munich southern Germany, Tuesday, March 31, 2015. One of the strongest storm fronts in years hit Germany on Tuesday, as Storm “Niklas” uncovered roofs, toppled scaffolding and caused severe disruption to rail services. (Photo by Sven Hoppe/AP Photo/DPA)

Tanbo Art is the strategic planting of four varieties of rice which have different colored leaves in order to create a giant image in the rice paddy. This type of aesthetic planting began in the Japanese village of Inakadate in 1993 in order to celebrate the village’s over 2000 year history of rice farming. The practice has spread to other rice cultivating communities in Japan and even other countries such as Thailand and South Korea.