Islamic female students practice the ancient Thai art of “Krabi Krabong” taught as a sport at the Darunsat Wittaya school on August 16, 2011 in Saraburi, Thailand. (Photo by Paula Bronstein/Getty Images)

A dancer poses for a photograph as part of the “Dance as Art” photo project in Times Square in New York, on September 22, 2014. (Photo by Carlo Allegri/Reuters)

A woman cartwheels through the Coachella Valley Music and Arts Festival in Indio, California April 10, 2015. (Photo by Lucy Nicholson/Reuters)

A model gets ready backstage during a body art festival in Almaty, Kazakhstan, March 23, 2016. (Photo by Shamil Zhumatov/Reuters)

St. Vincent performs at the Coachella Valley Music and Arts Festival in Indio, California, U.S., April 13, 201. (Photo by Mario Anzuoni/Reuters)

Liu Yi, Chinese painter, was born in Shanghai in 1958. He was a Fine Arts graduate from the Hua Dong University for Education. He did his postgraduate study of watercolor painting at the China College of Fine Arts. He lectures at university for painting and design. He is a member of the Chinese Artists Association and is also a member of the Watercolor Painting Artists Association. He is the retired Deputy President of the Shanghai Watercolor Painting Society, and is currently the Deputy Principal of the Shanghai Arts and Technical College. He is a very accomplished watercolor painter in China.

Young artists perform at the presentation of clowns in a hall of the Arts Palace during the first clown festival in Belarus in Bobruisk, some 150 km from Minsk, Belarus, 01 April 2018. About 60 clowns from Belarus and Russia gathered to entertain spectators. For 1 day Bobruisk became a capital of Jokes and Humour. Theaters of clownery, mime-theaters, individual performers of humorous genre, stilts and hospital clowns performed on a stage of the Palace of Arts. (Photo by Tatyana Zenkovich/EPA/EFE)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)