Californian photographer and conservationist Octavio Aburto had spent years photographing the school in Cabo Pulmo National Park, Mexico – and had been trying to capture this exact shot for three years. “Together with my friend David Castro, we were diving with a large group of Bigeye travellies at Cabo Pulmo National Park, Mexico. Thousands of fish forming a ball during the reproduction courtship. In the afternoon, these fish congregate to form a large spawning aggregation around the reefs of the National Park”. (Photo and caption by Octavio Aburto)

More than 1,200 vintage posters that would send any movie buff into orbit were discovered in an Ohio garage, including the only known copy of an almost 7-foot-tall creation for the 1947 reissue of “Dracula” that could sell for $40,000. The Dallas-based Heritage Auctions in Dallas puts them all on the block March 22 and 23, including some rare specimens from the silent movie era. (Photo by Courtesy Heritage Auctions)

A man uses iron sheet to make noises, as a way of trying to disperse desert locusts that had invaded their farms during the second wave invasion in Kakongo village, in Nuu-Mwingi East, in Kitui, Kenya, 06 February 2021. The second wave invasion of the desert locusts in the country comes at a time where most famers are expecting to harvest their farm produce in the country. (Photo by Daniel Irungu/EPA/EFE)

“We take rusty old junk and we put love into it”. The old Motor City has a unique style in bicycles these days: from fat wheels and fake fuel tanks to stretched cycles with powerful sound systems – and even a family-sized BBQ. “Detroit’s custom bike scene developed alongside Slow Roll, a weekly cycle ride started in 2010 by Jason Hall and Mike MacKool. Now upwards of 2,000 people turn up each Monday to cruise a different part of the city. The week I go the crowd seems evenly split between black and white, male and female, city and suburbs. It’s the most inclusive cycle event I’ve ever witnessed”. (Photo by Jason Walker/Slow Roll Monday Nights)

The unromantic gypsies. Children boxing in a gypsy camp in Kent, England on July 1, 1951. Like all boys these gypsy lads like to try their hand at boxing. Encouraged by their friends they fight it out on Corke's Meadow. Few Romanies now live a life of wandering romance. Most are like the three hundred squatters of Corke's Meadow, Kent, which is part of a “gypsy problem” that involves about 100,000 today. Of those about 25,000 can be rightly called gypsies, the rest are Mumpers and Posh-rats and Hobos. Corke's Meadow has both kinds. “Picture Post” cameraman Bert Hardy photographs the Corke's Meadow gypsies in their encampment. (Photo by Hulton-Deutsch Collection/Corbis via Getty Images)

Aerialist Erin Blaire, 33, performs a hair hanging trick for a photographer while hanging from a metal bar on a subway platform on March 14, 2023 in New York City. Erin Blaire, originally from Vermont, has lived in New York City for eight years and has been performing her aerial hair routine for the last three. The origin of hair hanging is believed to have originated in China, according to reports, and is a closely guarded circus trick passed from mentor to mentee. Although it is possible to find the technique and secrets online it is most-likely not how professional performers learned the skillset, and not how Blaire did either. (Photo by Alexi Rosenfeld/Getty Images)

A health worker shows an empty syringe after inoculating a woman with AstraZeneca's COVID-19 vaccine during the first day of a nationwide three-day vaccination drive at a school in Quezon city, Philippines on Monday, November 29, 2021. There has been no reported infection so far caused by the new variant in the Philippines, a Southeast Asian pandemic hotspot where COVID-19 cases have considerably dropped to below 1,000 each day in recent days, but the emergence of the Omicron variant has set off a new alarm. (Photo by Aaron Favila/AP Photo)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.