A health worker administers a dose of the Sinovac COVID-19 vaccine to a worker in a local entertainment venue area where a new cluster of COVID-19 infections were found in Bangkok, Thailand, Wednesday, April 7, 2021. Officials in Thailand’s capital have ordered a two-week closure of all entertainment venues in three districts to try to limit the spread of the coronavirus from nightspots there. (Photo by Sakchai Lalit/AP Photo)

A long-tailed macaque grabs a necklace from a statue during the annual Monkey Buffet Festival at the Pra Prang Sam Yot temple in Lopburi, north of Bangkok November 30, 2014. The festival provides food and drinks to the local monkey population, which numbers more than 2,000, to thank them for drawing tourists to the town. (Photo by Damir Sagolj/Reuters)

Foreign tourists join the annual Songkran Festival celebration, the Thai traditional New Year, also known as the water festival in Silom district of Bangkok, Thailand, 13 April 2014. The three-day Songkran Festival runs from 13 to 15 April and is celebrated with splashing water and putting powder on each others faces as a symbolic sign of cleansing and washing away the sins from the old year. (Photo by Narong Sangnak/EPA)

Visitors view ice sculptures at the 29th Harbin International Ice and Snow Festival on January 5, 2013. (Photo by Associated Press)

People take pictures of deer in the Phoenix Park in Dublin, Ireland December 5, 2016. (Photo by Clodagh Kilcoyne/Reuters)

A bird vendor holds a cage with a bird on a sideroad after a heavy snowfall in Kabul on January 5, 2022. (Photo by Mohd Rasfan/AFP Photo)

5-year-old Rina Kumari rubs her eye while cracking stones on the banks of Mahananda river in Siliguri, northeast India, March 5, 2005. Over 400 million people in India live below the internationally agreed poverty line (living on less than US $1 per day). According to estimates, several hundred thousand children work as labourers and beg on the streets in India. (Photo by Desmond Boylan/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)