Leon Sejranovic, Stacey Hymer and Bailey Lewis pose in Melbourne on May 21, 2024, as they are announced as the Australian taekwondo team for the Paris Olympics. (Photo by Quinn Rooney/Getty Images)

English-Albanian singer and songwriter Dua Lipa cut a strikingly different look as she stripped to stockings and suspenders while wearing a blonde wig in the second decade of May 2024. The New Rules hitmaker pulled on a suspender belt and white stockings for another cheeky look. (Photo by Instagram)

American model Kendall Jenner in the second decade of May 2024 hits the steam room for FWRD. (Photo by Kendall Jenner/Instagram)

Archer Sheetal Devi from India prepares to fire during the Paralympic Games in Paris on Thursday, August 29, 2024. (Photo by Felix Scheyer/AP Photo)

American model and television personality Amelia Hamlin is seen attending The Annual Frame Fashion Week dinner during NYFW on September 09, 2024 in New York City. (Photo by Rachpoot/Bauer-Griffin/GC Images)

Women dressed in folk costumes take part in a traditional wedding ceremony in the village of Galicnik, west of Macedonia's capital Skopje, July 12, 2014. The Galicnik Wedding, a three-day traditional Macedonian wedding celebration held each “Petrovden” or St. Peter's Day, involves traditional customs, costumes, and rituals and dances that have been passed down over the centuries. (Photo by Ognen Teofilovski/Reuters)

Emma White, of Team Cyclocrossworld, hits the dirt hard during the USA Cycling Cyclo-cross National Championship Elite Women's race at the Valmont Bike Park in Boulder, Colorado, on January 12, 2014. (Photo by Jeremy Papasso/The Daily Camera)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)