Families and children play at Brimham Rocks during their half term break in North Yorkshire, UK on February 18, 2025. (Photo by James Glossop/The Times & Sunday Times)

On the July 10, 2025, an elderly couple in Eonam-dong, Jung-gu, Daejeon, who finished their field work, cooled off by sitting on a bench in the yard near the water tap. (Photo by Shin Hyeon-jong)

Sophia Weisberg of Brazil competes on the balance beam during the 53rd Artistic Gymnastics World Championships in Jakarta, Indonesia, October 21, 2025. (Photo by Dita Alangkara/AP Photo)

A model presents a creation during a catwalk presentation for the Paul Costelloe Spring/Summer 2024 collection, at London Fashion Week in London, on September 13, 2024. (Photo by Henry Nicholls/AFP Photo)

A protester reacts outside New Zealand's parliament during a demonstration against a proposed law that would redefine the country's founding agreement between Indigenous Māori and the British Crown, in Wellington Tuesday, November 19, 2024. (Photo by Mark Tantrum/AP Photo)

A female Syrian soldier from the Republican Guard commando battalion drives a tank during clashes with rebels in the restive Jobar area, in eastern Damascus, on March 25, 2015. The female battalion, which was created nearly a year ago, consists of 800 female soldiers who are positioned in the suburbs of the Syrian capital where they monitor and secure the frontlines with snipers, rockets and machine guns. (Photo by Joseph Eid/AFP Photo)

Peacocks are seen covered in bags as a protection of their plume during transportation, in Xiangyang, Hubei province, China April 12, 2017. (Photo by Reuters/Stringer)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)