A student uses a ruler to measure the distance between forks before a formal dinner at The International Butler Academy China on September 16, 2014 in Chengdu, China. Over the last several years, there has been a surge in demand among China's wealthy for Western-trained butlers, with many academies seeing large portions of their graduating classes hired by Chinese families or companies. (Photo by Taylor Weidman/Getty Images)

A reveller participates in a flour fight during the “O Entroido” festival in Laza village, Spain February 27, 2017. (Photo by Miguel Vidal/Reuters)

The Mile O' Mud is a 7/8-mile oval track with a 1/8-mile diagonal lane slashed through the center. The racing lanes are approximately 60 feet wide. On average, the muddy water is four to six feet deep, with three strategically placed holes. The largest hole, located in front of the grandstand, is the treacherous “Sippy Hole”, named for the legendary driver “Mississippi” Milton Morris, Swamp Buggy King 1955, who repeatedly got stuck in it. (Photo by Malcolm Lightner)

U.S. Secretary of State John Kerry and Mongolian Foreign Minister Lundeg Purevsuren watch an archer during a Naadam ceremony, a competition which traditionally includes horse racing, Mongolian wrestling and archery, in Ulan Bator, Mongolia, June 5, 2016. (Photo by Saul Loeb/Reuters)

John Malkovich as Marilyn Monroe in a re-creation of Andy Warhol's 1962 painting. The image is a part of the series, “The Malkovich Sessions”, by photographer Sandro Miller and on display at the Catherine Edelman Gallery in Chicago. Miller wanted to pay homage to the artists who influence his photographic career, and approached Malkovich with the idea of re-creating the famous portraits. (Photo by Sandro Miller/Catherine Edelman Gallery)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.