A herd of wildebeest cross the skyline against the fading light in Masai Mara, Kenya, 25 August 2017. Stunning sunset photos silhouette Africa’s wildlife against streaks of orange and red sky. In August, German photographer Ingo Gerlach was on safari in the Masai Mara when he convinced his safari guide to stop and take in the sunset. The wildlife photographer was rewarded with his patience by an eye-catching sunset, which cast Africa’s wildlife into dark shadows against the vibrant skies. (Photo by Ingo Gerlach/Barcroft Images)

An elephant in Amboseli National Park in Kenya, June 2021. Gurcharan Roopra, 42, a Nairobi-born engineer-turned-wildlife photographer, has dedicated the past four years of his career to photographing these animals. He spends hours in his workshop camouflaging and encasing his equipment with protective gear before laying his camera in the path of lions, elephants, rhino, zebra and buffalo. (Photo by Gurcharan Roopra/Mercury Press)

A five-month-old cheetah seated in the back of a Land Cruiser growls at an outstretched hand after being taken from traffickers in Ethiopia and driven to Harirad, Somaliland, in 2020. This photo is part of the work of more than 100 artists in Why We Photograph Animals, a new collection of wildlife photography that aims to help understand why people have photographed animals at different points in history and what it means in the present. (Photo by Nichole Sobecki/Thames & Hudson)

Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

Using clever low exposure techinques, photographer Rolf Maeder managed to capture multiple strikes hitting the canyon under atmospheric stormy skies. (Photo by Rolf Maeder)

Austrian photographer Klaus Pichler has come up with an interesting and creative take on portrait photography – his photo series “Just The Two Of Us” features portraits of people dressed as their cosplay alter-egos. What’s fun about this series is that it seems to combine the costumed characters and the people wearing them, as the sometimes-fearsome characters are photographed in the relatively tame safety of their own homes.

This barking set of images takes the saying “dogs look like their owners” to the ultimate conclusion. Photographer Sebastian Magnani, 28, has cleverly spliced the features of four-legged friends with the head and shoulders of their owners. In a series called “Underdogs”, the Swiss photographer shot the owners and their respective pets in the same portrait style. Then he used expert photo-manipulation techniques to seamlessly transplant the canine faces onto the human bodies. (Photo by Sebastian Magnani)

Mr. Grindell Matthews with his latest invention, the new photographic gun which is the latest development in sky signs. 1933. It can throw a beam of light 15 miles into the sky. (Photo by Fox Photos)