Only 156 people remained in the tribe when Jan visited in Accham District, Nepal, January 2016. Hidden deep in the Himalayan forest is one of the world’s last enduring nomadic tribes who are resisting attempts to move them into permanent settlements. (Photo by Jan Moller Hansen/Barcroft Images)

Using digital editing, designer Anton Repponen places Manhattan buildings in desolate landscapes, “inviting viewers to see them as if for the first time”. Here: 8 Spruce Street/New York By Gehry. Photo by Anton Repponen/The Guardian)

If you are interested, the Korean call this style Trot (ppongjjak); a very simple life story is told with three guitar chords – quite a typical situation for our planet. Long-legged dolls from LPG (by the way, “Lovely Pretty Girls” could be “Long Pretty Girls”) are certainly smiling, though it would have been more logical for them to cry their hearts out, but that's what the Korean are like; who has seen doramas, will understand.

A devotee is carried around town in a vessel as part of rituals during the Swasthani Bratakatha festival at Thecho in Lalitpur, Nepal, February 19, 2016. During the month long festival, devotees recite one chapter of a Hindu tale daily from the 31-chapter sacred Swasthani Brata Katha book that is dedicated to God Madhavnarayan and Goddess Swasthani, alongside various other gods and goddess and the miraculous feats performed by them. (Photo by Navesh Chitrakar/Reuters)

The Perth-based photographer and journalist Frances Andrijich has travelled the Western Australian coast since the early 90s, capturing clotheslines in all their glory. In her images they take the roles of play equipment, Christmas trees and, in the summer, a homemaker’s dream. Andrijich admits she is hopelessly hung up on clotheslines; her latest book celebrates them under the spotlight of the Australian sun. Here: Vera Germanis hangs out underwear in Frances Andrijich’s grandparents’ backyard. This was the photographer’s first clothesline shot, taken in Midland Junction in 1991. (Photo by Frances Andrijich)

Girls sleep in the back of their father's moto-taxi as he watches them from the front seat, days after an earthquake in Pedernales, Ecuador, Wednesday, April 20, 2016. A fresh tremor rattled Ecuador before dawn Wednesday, a magnitude-6.1 jolt that set babies crying and shaken residents pouring once again into the streets, fearful of yet more damage following a monster earthquake over the weekend. (Photo by Dolores Ochoa/AP Photo)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

Nosy neighbour by Sam Hobson, UK. Sam knew exactly who to expect when he set his camera on the wall one summer’s evening in a suburban street in Bristol, the UK’s famous fox city. He wanted to capture the inquisitive nature of the urban red fox in a way that would pique the curiosity of its human neighbours about the wildlife around them. (Photo by Sam Hobson/2016 Wildlife Photographer of the Year)