The 26-foot-tall “Forever Marilyn” statue, was hoisted by crane early this morning in downtown Palm Springs, California on February 25, 2025. This larger-than-life tribute to Monroe's iconic pose from “The Seven Year Itch” is being moved to resolve ongoing legal disputes over its placement. Installed in 2021 near the Palm Springs Art Museum, the statue faced criticism and legal challenges regarding public access and aesthetic concerns. (Photo by Ian L. Sitren/ZUMA Press Wire/Rex Features/Shutterstock)

A man reacts inside the projection mapping and interactive installation known as “Illusion Road” at the multi-dimensional media art gallery Immersify KL in Kuala Lumpur, Malaysia, 04 March 2025. Immersify KL attracts visitors with interactive installations, high-definition visuals, and 3D spatial sound, creating breathtaking zones, including the country's first 360-degree, 12-meter-high projection space inside a 30,000-square-foot area with 11 sections of different immersive zones. (Photo by Fazry Ismail/EPA)

A child poses with face painting during the event in Canning, West Bengal on June 15, 2025. For generations Bahurupi artists from West Bengal have been practicing in the art of face painting. Using their painting techniques they can easily metamorphose into different characters during a performance, which often represents tribal myths. These traditional artists scrape a living from their performances, relying on the generosity of audiences for their income. (Photo by Avishek Das/SOPA Images/LightRocket via Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

“In 2009 a monumental underwater museum called “MUSA” (Museo Subacuático de Arte) was formed in the waters surrounding Cancun, Isla Mujeres and Punta Nizuc. The project founded by Jaime Gonzalez Cano of The National Marine Park, Roberto Diaz of The Cancun Nautical Association and Jason deCaires Taylor consists of over 450 permanent life-size sculptures and is one of the largest and most ambitious underwater artificial art attractions in the world”. – UnderwaterSculpture (Photos by Jason deCaires Taylor/Intrepidacious/Kozy and Dan Kitchens)

Dr. Christopher Brown (R), the Director of the Ashmolean, talks with Colin Harrison, the Ashmolean's Senior Curator of European Art, in front of a painting by Edouard Manet entitled “Portrait of Mademoiselle Claus” from 1868 in the Ashmolean Museum on February 24, 2012 in Oxford, England. The painting has been sold to a foreign buyer for 28.35 million GBP, however the Government has extended a temporary export bar on the artwork until August to give the Ashmolean an opportunity to raise funds to retain the painting in the UK. (Photo by Oli Scarff/Getty Images)

Chinese artist Kong Ning walks in her costume made of hundreds of orange plastic blowing horns during her art performance raising awareness of the hazardous smog in front of the Drum tower in a historical part of Beijing on a very polluted day December 7, 2015. Kong, whose works include themes related to China's air pollution problem, named her new performance “The Orange Horns Bride Marries the Blue Sky” and presented it dressed in orange, the colour of the second highest pollution alert level issued again in Beijing as hazardous smog blankets the capital. (Photo by Damir Sagolj/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)