Body surfers ride a large wave at the Wedge in Newport Beach of the Southland coast on May 20, 2011 in Newport, California. Surfers have been lured to the south facing beaches for the biggest swells of the season. (Photo by Kevork Djansezian/Getty Images)

Michael Bath, from McLeans Ridges in New South Wales, Australia, estimates that in his lifetime he has taken more than 3,500 images of lightning bolts illuminating the sky. Photo: Alstonville, New South Wales, Australia – January 8, 2003. (Photo by Michael Bath/Caters News)

Lyubomir Sergeev Bulgarian photographer Lyubomir Sergeev combines creepy contradictions in his masterfully composed shots.

A panel of 10 high-profile judges from within the surfing industry including seven-time world surfing champion Stephanie Gilmore were tasked with selecting the best of the best surfing photos for the 2020 Nikon surf photography awards. The judges were looking for innovation and creativity, uniqueness, dramatic affect and sensory impact. Here: “Free Fall”. (Photo by Ren Mcgann/2020 Nikon Surf Photography Awards)

Aerial photography platform SkyPixel received 27,000 entries to its 2016 competition. Here are the winning shots plus some of our favourites. Here: Dam near perfect. Second prize in the same category was of the Huia Dam in Auckland, New Zealand. Hong Kong-based SkyPixel was launched in 2014. (Photo by Brendon Dixon/SkyPixel)

Three elephant seals put on a show in Roie Galitz's “Three Tanors”, taken on January 7, 2016 in South Georgia Island. The Comedy Wildlife Photography Awards are in full swing, so check out some of the fierce competitors jostling for the top prize this year. Photographers Paul Joynson-Hicks MBE and Tom Sullam founded the awards to spotlight wildlife conservation efforts and to inject some humour into the world of wildlife photography. (Photo by Roie Galitz/CWPA/Barcroft Images)

Andrew Parkinson, animal behaviour category winner: Crepuscular Contentment, Derbyshire. “In 15 years of working with badgers I’ve never seen a badger sit out in the open to have a scratch. I was sat concealed behind a tree and downwind so it was especially nice that the badger had his back to me, demonstrating just how inconspicuous and inconsequential my presence was”. (Photo by Andrew Parkinson/British Wildlife Photography Awards 2017)