Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.

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Based on the layout of Helm’s Deep featured in Peter Jackson’s film adaptation, this 150,000 brick set piece is astounding. The artists, who go by the names Rich-K and Big J, apparently, nail the atmosphere and scale of the conflict of one Lord of the Rings most iconic scenes. At the time these photos were taken, the model was about 90% complete, with an estimated four months worth of work. The time, money and personal investment that must have gone into this project is impressive.

For the April cover shoot of Interview Magazine, photographers Mert & Marcus (Mert Alas and Marcus Piggott; Mert (from Turkey) and Marcus (Welsh from the UK) are one of the premier photographers in the world) captured the stunning Keira Knightley in an attractive black and white photo spread. Rocking pieces from Louis Vuitton, Balenciaga, DVF, and YSL, Knightley looks hot and seductive with a cigarette hanging from her boldly painted lips.

Cordwood construction is a method of natural building that originated roughly one thousand years ago in Greece and Siberia. This method involves using pieces of wood that slightly protrude from the mortar, giving the walls an attractive appearance. Usually, the walls are made 12 to 24 inches thick. However, in some parts of Canada, the walls can be as thick as 36 inches. This method appeals to many people due to its ease of construction economy of resources. Cordwood Construction can be separated into two main types: mortar-insulation-mortar (M-I-M) and Throughwall. M-I-M is a more preferable and widely used choice as it allows for better insulating properties.

The truth can never be seen right away. Only by looking from a certain angle can we view the true nature of things. At other times, only with the help of some special object can we discern order in chaos. Anamorphosis is a form of art that allows us to see an object only by viewing it from a certain angle or by using cylindrical or conical mirror. Unsurprisingly, the first person in history to ever use this type of technique was the Leonardo Da Vinci. During late Renaissance period this technique was popularized as a children’s toy. Now, however, few people use this form of imagery due to its intricacy. Istvan Orosz, born in 1951, is one of the few people who specialize in anamorphosis. In our opinion, his most stunning piece of art is the one where a shipwreck scene turns into a portrait when viewed through a cylindrical mirror. (Photo by Jonty Hurwitz)

Faruk, 17, a Rohingya refugee trader holds betel leaves which are on sale at a stall in Palong Khali refugee camp near Cox's Bazar, Bangladesh, November 3, 2017. He left his village in Myanmar when the military opened fire towards the Rohingya. “I buy this betel leaf from Palong Khali market, in one bundle there are 160 pieces, I buy it for 80 taka and I sell it for 100 taka (1 Bangladeshi Taka = 0.012 US Dollar). Bangladeshi's and I sell for the same rate in the camp. Outside in the local market it is 80 taka per bundle. My problem is that I don't have money so I can't buy anything to eat, I can't buy fish to eat”, he said. (Photo by Hannah McKay/Reuters)

An unknown number of guns are being built with the mechanisms, causing problems for the police and ATF officials. Photo: An ATF agent holds a generic unfinished receiver, back, and one that has been manufactured, front, at an ATF field office in Washington, on May 06, 2014. The ATF is trying to crack down on the trade in the makeshift guns by targeting shops and individuals who offer to turn the unfinished receivers into functional pieces for firearms. (Photo by Bill O'Leary/The Washington Post)