The stern of the stranded cargo vessel Rena grounded on the Astrolabe Reef is seen on October 20, 2011 in Tauranga, New Zealand. Salvage crews continue to pump oil off the ship in an effort to remove as much as possible before bad weather predicted for the evening threatens to break the vessel and release more oil into the sea. Over 300 tonnes of oil has leaked from Rena since it hit the reef on October 5. (Photo by New Zealand Defence Force via Getty Images)

At least 43 people have been killed and more than 200 others wounded in an attack by Somali Islamist militants on a Nairobi shopping mall, the Kenyan Red Cross said on Sunday. The Somali Islamist group al Shabaab claimed responsibility for Saturday’s attack on the Kenyan capital’s Westgate mall, which is frequented by Westerners as well as Kenyans. Several foreigners, including a Canadian diplomat, were among the dead. Photo: Security officers secure an area inside the Westgate Shopping Centre. (Photo by Siegfried Modola/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

A swimmer disguised as Superman dives into the lake during the 78th “Coupe de Noel” (Christmas cup) swimming race in the Lake Geneva, on December 18, 2016 in Geneva. More than 1800 participants took part in the event, a 12-meter-long swimming off the Geneva's bank in the 7 degrees Celsius cold water. (Photo by Fabrice Coffrini/AFP Photo)