Chinelos (traditional costumed dancers) perform in front of San Andres Ocotlan church as part of continuing festivities to welcome the new year in Calimaya, Mexico on January 4, 2016. (Photo by Arturo Hernandez/Demotix/Corbis)

Costumed participants of a lacquer and leather ship, the so-called “Torture Ship”, kiss before putting out to Lake Constance for a pleasure cruise at the harbor of Friedrichshafen, Germany, 29 June 2019. Hundreds of leather and rubber fans set sail for the boat trip through the night on Lake Constance. (Photo by Daniel Kopatsch/EPA/EFE)

France's Orlann Ombissa-Dzangue and Czech Republic's Marcela Pirkova compete during a women's 60m heat at the 2021 European Athletics Indoor Championships in Torun on March 7, 2021. (Photo by Sergei Gapon/AFP Photo/Profimedia)

Russian cosmonaut Alexander Skvortsov, Expedition 40 flight engineer, attired in a Russian Orlan spacesuit, participates in a session of extravehicular activity (EVA) in support of science and maintenance on the International Space Station on August 18, 2014. During the five-hour, 11-minute spacewalk, Skvortsov and cosmonaut Oleg Artemyev (out of frame) deployed a small science satellite, retrieved and installed experiment packages and inspected components on the exterior of the orbital laboratory. (Photo by NASA)

Four year old Kaleb Stanley (R), from Dublin, reaches up to puncture a giant bubble with the help of his seven year old brother Jacob on London's South Bank on May 9, 2008 in England. (Photo by Peter Macdiarmid/Getty Images)

A visitor and an employee dressed as Snegurochka (Snow Maiden), the granddaughter of Ded Moroz (Russian equivalent of Santa Claus), pose for a picture inside an upside down house, constructed as an attraction for local residents and tourists and located at the Royev Ruchey Park of Flora and Fauna in the suburbs of Krasnoyarsk, Russia, December 7, 2016. (Photo by Ilya Naymushin/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Performers wait for delegations to arrive for traditional nomadic Naadam festival performance during the Asia-Europe Meeting (ASEM) summit just outside Ulaanbaatar, Mongolia, July 15, 2016. (Photo by Damir Sagolj/Reuters)