Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)

Revellers in Blackpool kept the bank holiday party going on May 30, 2018, taking full advantage of the warm weather and long weekend to let rip. The bank holiday booze up continued across Britain with one party-goer managing to accidentally flash her knickers in public. A bank holiday is a public holiday in the United Kingdom and some Commonwealth countries. (Photo by NB Press Ltd/The Sun)

French photographer Laurent Chehere's “Flying Houses” exhibit takes workaday houses and lets them lift the imagination. The exhibit is showing at the Muriel Guépin Gallery in New York. Photo: Laurent Chehere's “Flying Houses”: “The Great Illusion”. (Photo by Laurent Chehere)

A creature bathes at the Robolights art installation by Kenny Irwin Jr. in Palm Springs, California December 15, 2014. The installation consists of hundreds of whimsical robot and other themed sculptures created from recycled materials including golf carts, kitchen appliances and microwaved smart phones, and is open to the public each holiday season on the sprawling Irwin family property. (Photo by David McNew/Reuters)

Edinburgh Zoo is proud to introduce this baby three-banded armadillo Rica who was born to mum Rio and dad Rodar in Edinburgh, Scotland, UK on Sunday 24 August 2014. A tiny 81g at birth and around the same size as a golf ball, Rica is a female three banded armadillo who has grown rapidly in her first month, already quadrupling in weight. (Photo by SWNS/ABACAPress)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.