“Sky burial or ritual dissection was once a common funerary practice in Tibet wherein a human corpse is cut in specific locations and placed on a mountaintop, exposing it to the elements or the mahabhuta and animals – especially to birds of prey. The location of the sky burial preparation and place of execution are understood in the Vajrayana traditions as charnel grounds. In Tibet the practice is known as jhator, which literally means, «giving alms to the birds»”. – Wikipedia

Photo: A burial master chops bones of a body to feed vultures during a celestial burial ceremony on April 19, 2006 in Dari County of Guoluo Prefecture, Qinghai Province, northwest China. Celestial burial is a traditional funeral of Tibetan people, which began in the 7th century. (Photo by China Photos/Getty Images)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

All throughout history of mankind people were fascinated by time, its flow, and how to measure it. Thus, the science of horology can into being, as people invented more and more sophisticated ways of measuring the passage of time. Truly, it’s one of the most profound characteristics of being a human, to feel and to ponder the meaning of time, its properties, and will we ever be able to move through it, not with it. Now, however, horology is mainly referred to the art of mechanical watchmaking. (Photo by MB&F)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

The Wovel could possibly be the most advanced human snow removal machine ever created, next to simply getting someone else to do it. The revolutionary wheel design reduces the risks associated with heart attacks and back injuries because it uses adjustable leverage and your own body weight to push, lift, and throw snow up to 18" deep. The best feature about the Wovel is compared to a gas-powered snow blower, this one will always start.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

In his book “Side Effects”, aerial photographer Kacper Kowalski took to the skies to paint a portrait of the complex relationship between humans and nature. From the sky, he captured where nature and civilization collide into aesthetic, abstract colors and shapes. Photo: A view over fields of grain in Spring chamomile, cornflower and other weeds growing amongst the grain sprouts. (Photo by Kacper Kowalski/Panos Pictures)

A wolf looks into the camera at the 30 km (19 miles) exclusion zone around the Chernobyl nuclear reactor in the abandoned village of Orevichi, Belarus, March 2, 2016. What happens to the environment when humans disappear? Thirty years after the Chernobyl nuclear disaster, booming populations of wolf, elk and other wildlife in the vast contaminated zone in Belarus and Ukraine provide a clue. (Photo by Vasily Fedosenko/Reuters)