A witch doctor prepares an offering for the inauguration of the World People's Conference on Climate Change and the Defense of Life, prior to the World Climate Change Conference, in Tiquipaya, Bolivia, October 10, 2015. Almost 150 nations, including major emitters led by China and the United States, have submitted plans to the United Nations for curbing greenhouse gas emissions blamed by the U.N. for causing more floods, droughts and heat waves. France will host the conference in Le Bourget, near Paris, from November 30 to December 11, 2015. (Photo by David Mercado/Reuters)

In this February 19, 2017 photo, a statue of the Death Saint stands inside Mercy Church as Juan Carlos Avila Mercado gives a service, on the edge of Mexico City's Tepito neighborhood. “She chooses them and has always been with us”, said Avila, who says he is a Catholic priest, but who is not listed among the archdiocese's priests. “We are born and we die with death”. (Photo by Marco Ugarte/AP Photo)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

Photographer and former dancer Jesús Chapa-Malacara, head of art production company fotosjcm, announces the launch of Esprit de Corps, an innovative book of ballet photography unlike any seen before. The high-end art book, currently being independently financed and offered exclusively through a Kickstarter campaign, will feature world-class dancers from top ballet companies, including Michaela DePrince of Dutch National Ballet, Jared Matthews and Yuriko Kajiya of American Ballet Theatre, among others.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.

A half-naked shrine parishioner using a wooden tub pours cold water onto himself during an annual cold-endurance festival at the Kanda Myojin Shinto shrine in Tokyo, Saturday, January 10, 2015. Pouring cold water on their bodies is believed to purify their souls. (Photo by Eugene Hoshiko/AP Photo)

Iranian Arabs who are members of the paramilitary Basij force march in a military parade marking the 35th anniversary of Iraq's 1980 invasion of Iran, in front of the shrine of late revolutionary founder Ayatollah Khomeini, just outside Tehran, Iran, Tuesday, September 22, 2015. (Photo by Vahid Salemi/AP Photo)