People visit the autonomous urban concept car Renault EZ-GO during the first press day of the Geneva International Motor Show on March 6, 2018 in Geneva. The show opens to the public on March 8 and runs through March 18. (Photo by Fabrice Coffrini/AFP Photo)

Playful little Asian girl having fun with Christmas decorations, holding up pine cones over eyes against decorated Christmas tree at Christmas time. Christmas lifestyle. Celebrating Christmas. Holiday and festive vibes. (Photo by d3sign/Getty Images)

A wedding couple poses for a photographer during a wedding photo shoot March 9, 2011 in Hanoi, Vietnam. Its is traditional for middle and upper class Vietnamese couples do a wedding fashion shoot posing for wedding portraits a few weeks before the wedding so that a wedding photo book is produced. (Photo by Paula Bronstein /Getty Images)

Photographer Vincent Jansen travels throughout Europe, visiting beautiful abandoned places. He explores churches, factories, sanatoriums, mortuaries, villas and theaters, all quietly waiting for renovation or demolition. His photos show a unique perspective on what is happening behind the “no trespassing” signs: where nature is slowly gaining ground and the desolation, loneliness and decay leave their stunning traces. Photo: This piano was located in one of many rooms of a huge chateau in Poland. (Photo by Vincent Jansen)

Somali couple Mohamed Noor (L) and Huda Omar pose for a photograph at their makeshift home during their wedding ceremony in Mogadishu's Rajo camp, Somalia August 17, 2016. Having met two years ago, the pair have just married at Rajo camp, where some 400 families live. Most, like Noor's parents, came here in the early 1990s to flee famine. (Photo by Feisal Omar/Reuters)

Cropped shot of a woman flirtatiously touching leg of man in a suit with her foot under the table. (Photo by LightField Studios/Skyfish Digital Media/Getty Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Women in lingerie touching each other. (Photo by BDLM/Getty Images)