A young female demonstrator is arrested by police during clashes in the Causeway Bay area of Hong Kong, China on October 6, 2019. Hundreds of thousands of protesters marched through the city's streets in defiance of the new “no-mask” law, which was introduced two days ago as demonstrations roll into a 14th week. (Photo by Rick Findler/EPA/EFE/Rex Features/Shutterstock)

A woman in yukata, casual summer kimono, poses for a photo at Fushimi Inari Taisha in Kyoto, Japan on October 2, 2019. (Photo by Matthew Childs/Reuters)

Migrants, part of a caravan traveling en route to the United States, carry an anteater that was hit by a car, according to them, as they walk on the road that links Arriaga and Tapanatepec, near Arriaga, Mexico, November 5, 2018. (Photo by Carlos Garcia Rawlins/Reuters)

Fifty years ago, as France exploded in mass protests, words scrawled on the walls of the Sorbonne summed up the revolutionary zeal of the time: “Run free, comrade, we’ve left the old world behind!”. Sexual liberation, artistic creativity and anti-capitalism were the order of the day. For those who were there, it was an unforgettable time. Here: A wounded student is transported by first-aid workers during riots on the Boulevard Saint-Michel, Paris, France on May 6, 1968. (Photo by Gökşin Sipahioğlu/SIPA Press)

Cha Huilan, a 40-year old Lisu woman, and her daughter leave Lazimi village with a zipline across the Nu River in Nujiang Lisu Autonomous Prefecture in Yunnan province, China, March 24, 2018. Chinese mountain villagers, cut off from shops and churches by a raging river, use a zipline to cross its violent rapids and jagged rocks. (Photo by Aly Song/Reuters)

Climbers place a huge 80x80 metres (262x262 feet) Swiss national flag on the western face of the north-eastern Swiss landmark Mount Saentis, Switzerland on July 31, 2018. (Photo by Arnd Wiegmann/Reuters)

A woman takes a picture of a statue of a child wearing what appears to be a hazardous material suit in Fukushima, Japan on August 14, 2018. (Photo by Kwiyeon Ha/Reuters)

Makeup artist He Yuhong, also known as “Yuya”, checks herself in the mirror during a photo shoot following her transformation into the “Girl with a Pearl Earring”, the 17th century oil painting by Dutch painter Johannes Vermeer, at her house in Chongqing, China on August 14, 2018. (Photo by Thomas Suen/Reuters)