IT'S a relatively simple idea – set up a mirror so you can capture the reflection of a dramatic landscape in a single photograph. Photographer Daniel Kukla, from New York, created a spectacular series of artworks called The Edge Effect using the technique. He clamped the mirror onto an easel and placed it in various settings in the Joshua Tree National Park, California.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

Kim Kardashian looks to have left her underwear at home as she heads out for an early dinner with boyfriend Kanye West in Miami on October 14, 2012. As Kim checked out her outfit in the reflection of her car, it became apparent that the reality star was not wearing any underwear as she showed off her see-through grey skirt. (Photo by Brett Kaffee/Thibault Monnier/PacificCoastNews.com)

A Balinese Hindu blows fire, during a parade carrying Ogoh-ogoh effigies symbolising evil spirits, during a ritual before Nyepi, the day of silence, in Palembang, South Sumatra province, Indonesia March 8, 2016. Nyepi is a day of silence for self-reflection celebrating the Balinese Hindu new year, where people may not use lights, light fires, work, travel nor enjoy entertainment. (Photo by Darren Whiteside/Reuters)

Susan Lordi's art reflects our relationships with people and the world around us. Her keen observation of the human form is further inspired by dance, art history, nature, and personal experiences with family and friends. These influences are revealed in her Willow Tree® sculptures, from which emotion is communicated through gestures only.

The "Wedding Palace" (Bagt Kosgi) is located in the southwest of Ashgabat. while the building was designed in a sphere shape surrounded by the eight-corner "Oguzkhan Star" on the corners of the building. There is a map of Turkmenistan on the outer space of the sphere whose radius is 32 meters and it can be seen from far away as the sun reflects off it.