Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

“The knight and his steed”. This picture was taken in a natural but controlled environment. There are pictures that can not be done in nature or that would imply a very high cost of both time and money, thats why photography workshops are run conducted at strategic locations and bringing EVERYONE who is interested, the basic notions (lighting, camera handling, composition, etc...) or the specimens, and afford them the opportunity to take pictures like this. Although controlled, this shot was not prepared at all, I was performing a workshop with the agalychnis callidryas treefrog from Costa Rica when the frog managed to jump to the branch where this huge titan was sleeping... I had my gear ready so I only had to change a few settings and shoot... the rest is history. (Photo and caption by Nicolas Reusens Boden (Sweden)/2014 Sony World Photography Awards)

Smoke plumes rise from Mount Etna, one of the most active volcanoes in the world in Sicily, Italy on June 28, 2016. (Photo by Etna Walk/Rex Feature/Shutterstock)

Jan Agha, 49, an Afghan hunter, tries to catch his crane at a field in Bagram, Parwan province, Afghanistan on April 10, 2019. As the early morning light breaks over the plain north of Kabul, bird hunter Jan Agha checks his snares as he has done for the past 30 years, hoping to catch a crane, using a tethered bird to lure others down to the nets. (Photo by Mohammad Ismail/Reuters)

Penguins Momo and Omochi are seen while the projection mapping images is being cast during a media preview for their free online animal shows for children and families staying at home during Golden Week holidays due to the coronavirus disease (COVID-19) lockdown, at the Aqua Park Shinagawa in Tokyo, Japan on April 30, 2020. (Photo by Issei Kato/Reuters)

Cemetery workers lift a corpse from a coffin to a metal plate as they prepare the body for cremation at a cemetery in Maracaibo, Venezuela, November 27, 2019. Some overcome the financial burden of a relative's death by renting caskets, a cheaper option than buying one. (Photo by Rodrigo Abd/AP Photo)

In this February 19, 2014 photo, a skate seller puts slices of skate into styrofoam boxes for shipment to customers around South Korea at a fish market in Mokpo, a port city on the southwestern tip of the Korean Peninsula. The aroma of one of southwestern South Korea's most popular delicacies regularly gets compared to rotting garbage and filthy bathrooms. And that's by fans. The unusual dish is typically made by taking dozens of fresh skate, a cartilage-rich fish that looks like a stingray, stacking them up in a walk-in refrigerator and waiting. Up to a month in some cases. (Photo by Ahn Young-joon/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)