Festival-goers wash on Shipyard Island, the venue of the 24th Sziget (Island) Festival in Northern Budapest, Hungary, 15 August 2016. The venue, one of the biggest cultural events of Europe, offers art exhibitions, theatrical and circus performances and above all music concerts from 10 to 17 August. (Photo by Szabó Gábor/Origo.hu)

An Emirati man sits outside an old house at the Heritage Village in Dubai, UAE March 13, 2016. The Heritage Village was created in 1997 in Al Shindagha Historical Neighborhood in Dubai, close to the Diving Village, to embrace the heritage events and to display a live image of the old traditional life in UAE. It represents the components of wild, marine, and mountain life, where the visitor can identify closely the old traditional customs of the country and the special characteristics of old houses, handicrafts, patterns, and forms of living. It is owned and managed by Dubai Culture & Arts Authority. (Photo by Ahmed Jadallah/Reuters)

Being able to look at this world in a different light is the main thing that distinguishes a true artist from a common person. We can clearly see that Lucas Levitan is a true artist despite the crude drawings that he makes. By hunting through thousands of photos that people post on Instagram, he finds the ones that might have a completely different, surprising, and comical theme. For example, a sensual photo of lady’s eyelashes is transformed into a scene in which a farmer is harvesting his crops. This is imagination at its finest, which is why the art works of Lucas Levitan are so interesting to look at. (Photo by Lucas Levitan)

Hu Shaoming is a fantastic artist from China, who has learnt Fine Arts at Guangzhou Academy. The most complex sculpture of all his works is a mechanical seahorse, constructed from many tiny details. The whole composition consists of two complete opposites, including the top part of the seahorse`s head that looks like a golden town, and the bottom which resembles an amazing blue creature. An important problem is reflected in such an idea; it shows how a man forces the nature into submission. The contrast in the opposition of the human buildings and conquered Mother Nature suggests the thought of keeping our natural environment safe.

“Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some “Boterismo”, which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity”. – Wikipedia

Photo: The Duke and Duchess of Devonshire view “Dancers” by artist Fernando Botero in the gardens of their home Chatsworth House on September 10, 2009, Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

A visitor to the New Museum walks through the “Carsten Holler: Experience”, exhibition at the museum on December 14, 2011 in New York City. The show, which has been called an art world amusement park, includes a 102-foot slide that corkscrews down from the fourth floor to the second; an installation of flashing lights that is supposed to make you hallucinate and a sensory-deprivation tank that is meant to resemble the Dead Sea. (Photo by Spencer Platt/Getty Images)

Redhead Day (Roodharigendag in Dutch) is the name of a Dutch summer festival that takes place each first weekend of September in the city of Breda, in the Netherlands. The two-day festival is a gathering of people with natural red hair, but is also focused on art related to the colour red. Activities during the festival are lectures, workshops and demonstrations which are aimed specifically at red-haired people. The festival attracts attendance from 50 countries and is free due to sponsorship of the local government.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.