A reveller dressed up as Austrian drag queen and 2014 Eurovision song contest winner Conchita Wurst takes part in New Year's celebrations in Coin, near Malaga, southern Spain, early January 1, 2015. Villagers and revellers dressed up in funny costumes to take part in the New Year's celebration. (Photo by Jon Nazca/Reuters)

Lindsay Mann (L) and Anabella Mowbray kiss as they take photos of themselves laying in the confetti on 7th Avenue in Times Square on New Year's Eve in New York January 1, 2015. (Photo by Carlo Allegri/Reuters)

A Chinese tourist wears a mask as she arrives at Suvarnabhumi Airport during a welcome ceremony of Chinese Lunar New Year travellers in Bangkok, Thailand on January 22, 2020. (Photo by Soe Zeya Tun/Reuters)

Miss California Jessa Carmack during swimsuit competition at Miss America 2017 pageant, Sunday, September 11, 2016, in Atlantic City, N.J. (Photo by Noah K. Murray/AP Photo)

Some of the most powerful narratives of the past decade have been produced by a forward-thinking generation of women photojournalists as different as the places and the subjects they have covered. National Geographic's “Women of Vision” exhibit features the work of 11 photographers and is on display at the Fernbank Museum of Natural History in Atlanta until January 3, 2016. Here: Nujood Ali stunned the world in 2008 by obtaining a divorce at age 10 in Yemen, striking a blow against forced marriage. (Photo by Stephanie Sinclair/National Geographic)

Azalea, whose Korean name is “Dalle”, a 19-year-old female chimpanzee, lights a cigarette at the Central Zoo in Pyongyang, North Korea on Wednesday, October 19, 2016. According to officials at the newly renovated zoo, which has become a favorite leisure spot in the North Korean capital since it was re-opened in July, the chimpanzee smokes about a pack a day. They insist, however, that she doesn’t inhale. (Photo by Wong Maye-E/AP Photo)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.