An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

A fox runs out onto the pitch before the start of the second half. Celtic League 2012/13, Round 19, Leinster v Ulster, RDS, Ballsbridge, Dublin, March 30, 2013. (Photo by Paul Mohan)

Chantel Jeffries arrives for the opening ceremony and screening of the film “Everybody Knows” on May 8, 2018 during the 71st annual Cannes Film Festival in Cannes, France. (Photo by Eric Gaillard/Reuters)

France fan before the Russia 2018 World Cup Group C football match between Denmark and France at the Luzhniki Stadium in Moscow on June 26, 2018. (Photo by Axel Schmidt/Reuters)

In this picture taken late on June 13, 2017, physiotherapist Masayuki Ozaki takes a bath with his silicone s*x doll Mayu at a love hotel in Yachimata, Chiba prefecture. Around 2,000 of the life- like dolls – which cost around 6,000 USD and come with adjustable fingers, removable head and life- like genitals – are sold each year in Japan, according to industry insiders. (Photo by Behrouz Mehri/AFP Photo)

In this Friday, August. 17, 2018, photo, a North Korean waitress prepares to serve dinner to Chinese tourists at the Pegaebong hotel in Samjiyong in North Korea. Chinese businesspeople and tourists are once again flowing over the borders – several large tourist groups were in Samjiyon last week – and South Korean officials are seriously considering ways to help the North improve its roads and railways. (Photo by Ng Han Guan/AP Photo)

Miss Lovely Legs competition at the Pick 'n Pay hypermarket in Boksburg, South Africa, 1980. (Photo by David Goldblatt/Museum of Contemporary Art Australia)