Performer from the Mangueira samba school parades during carnival celebrations at the Sambadrome in Rio de Janeiro, Brazil, Tuesday, February 9, 2016. (Photo by Silvia Izquierdo/AP Photo)

Groupama Sailing Team, skippered by Franck Cammas of France during leg 1 of the Volvo Ocean Race to Cape Town on November 6, 2011. (Photo by Yann Riou/Groupama Sailing Team/Volvo Ocean Race via Getty Images)

(L-R) Ozzy Osbourne and son, producer Jack Osbourne visit the Tribeca Film Festival 2011 portrait studio on April 25, 2011 in New York City. (Photo by Larry Busacca/Getty Images for Tribeca Film Festival)

Contestants in the Miss International Queen, a transgender beauty pageant, in Pattaya, Thailand, on Saturday, August 24, 2024. (Photo by Andre Malerba/ZUMA Press Wire/Rex Features/Shutterstock)

Leon Feingold, right, drops his jeans as his girlfriend Patrizia Calvio looks in her purse on the uptown E Train during the 18th annual No Pants Subway Ride, January 13, 2019, in New York. (Photo by Kathy Willens/AP Photo)

A Hindu devotee bathes in the Shali River during the Swasthani Brata Katha festival, marked with auspicious bathing in water bodies hoping for a prosperous life and conjugal happiness, on the outskirts of Kathmandu on January 28, 2021. (Photo by Prakash Mathema/AFP Photo)

A protestor makes a selfie in front of a burning car during a national trade union demonstration in Brussels, Thursday November 6, 2014. Tens of thousands of demonstrators are converging on the Belgian capital to protest government policies that will extend the pension age, contain wages and cut into public services. (Photo by Geert Vanden Wijngaert/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)