Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light”. (Photo by Brendan Fitzpatrick)

In case you missed the game, this is what happened explained in a short clip. Germany crush hosts Brazil 7-1 to reach the World Cup Final.

Natasha Cloud #0 and Diana Taurasi #3 of the Phoenix Mercury gather their team before the game against the Seattle Storm at Climate Pledge Arena on June 04, 2024 in Seattle, Washington. (Photo by Steph Chambers/Getty Images)

HRP-4C, a five-foot humanoid robot developed at Japan's National Institute of Advanced Industrial Science and Technology, sings and dances with performers at the Digital Contents Expo in Tokyo on October 17, 2010. The robot runs entertainment software called Choreonoid, a name formed from the words “choreograph” and “humanoid”. (Yoshikazu Tsuno/AFP)

The underwater fashion photos featured in the May 2014 Sun Magazine were taken by Sun photographer Lloyd Fox in a pool at the home of Mary Kay and Chuck Nabit. Styling was provided by Sun reporter John-John Williams IV, and the art director for the shoot was Sun design editor Leeann Adams. Photo: The Sun magazine's under water fashion shoot with resort style clothes, March 25, 2014. (Photo by Lloyd Fox/Sun Photographer)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.