The official name for this tiny speck of land – the size of 12 football pitches – is Hashima, but few call it that. In English, its most commonly used name means “Battleship Island” and, viewed from a certain angle offshore, its silhouette is uncannily dreadnought in nature. It was a mining facility until 1974, when it was abandoned to the elements, before partially reopening as a tourist attraction in 2009. Photo: A decades-old television. (Photo by Mark C. O'Flaherty)

A greenhouse is a contained quantity of air and light which extends the growing season and enables the thriving of plants otherwise alien to local climate. It creates a bubble of super-nature, where things otherwise impossible become possible. The smell, temperature, humidity and taste of things are significantly different than just outside the thin membrane. It enables us to create different kinds (or quantities) of food, but also to experience different climates and atmospheres. A greenhouse is by definition alien to its site, but creates a significant place in everyday life.

“You wouldn’t normally associate power stations with beautiful scenic shots but one photographer has traveled nearly 2000 to track down the ugliest energy plants and show them in a whole new light. Czech snapper, Radek Kalhous, uses Google Earth to find the perfect locations for his unique pictures and arrives at each site after sunset to create the atmospheric shots”. – Caters News. Photo: Nuclear power station Temelin, Czech Republic. (Photo by Radek Kalhous/Caters News)

Wouldn’t it be wonderful if all weapons were created by Sonia Rentsch rather than by gunsmiths? In the series Harm Less, Sonia had constructed a number of firearms using various plants. Of course people might say that it’s not the guns that kill people; it’s the people that kill people. However, this statement is completely false. Can you imagine some equivalent of school shooting if the guns were not available? Yes, some crazy kid would still be able to bring a weapon to class, but most likely it would be a club or a penknife, making him easily tamable. (Photo by Sonia Rentsch)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.

An altar is pictured after it was decorated by the Antar family with some 3,000 traditional cheese and corn buns called “chipas”, in celebration of Kurusu Ara in Asuncion May 3, 2015. Kurusu Ara, the Day of the Cross, is a Catholic festival that is combined with local Gurani culture and falls annually on May 3. Paraguayans typically celebrate the festival with chipas, used to decorate religious shrines and altars. The chipas are later distributed to attendees. The buns at the top are arranged to read, “March 3 live”. (Photo by Jorge Adorno/Reuters)

Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.