In this photo taken Saturday, September 23, 2017, a mouse is cooked on a fire after being caught in a cornfield in Chidza, Masvingo Province, Zimbabwe. Considered a delicacy, the field mice are hunted in cornfields where they have grown plump on the grains, grass and wild fruits. (Photo by Tsvangirayi Mukwazhi/AP Photo)

After a cold night the small North Devon villages of Appledore and Instow wake up to an amazing scene as the sun rises over the River Torridge estuary, Devon, UK on October 19, 2018. (Photo by Terry Mathews/Alamy Live News)

Police haul a youth to the paddy wagon as an undetermined number of arrest were made in downtown Atlanta, Georgia, February 25, 1971, as police moved in to disperse black youths after windows were broken and rocks and fruit thrown in what officers called “a major disturbance”. (Photo by Charles Kelly/AP Photo)

In this June 6, 1966 file photo, civil rights activist James Meredith pulls himself across Highway 51 after being shot in Hernando, Miss. Meredith, who defied segregation to enroll at the University of Mississippi in 1962, completed the march from Memphis, Tenn., to Jackson, Miss., after being treated for his wounds. (Photo by Jack Thornell/AP Photo)

On Dale A. Browne’s first trip to Yellowstone, he “got the best shot” he’d ever taken after chasing this weasel for 30 minutes. The trip for the 58-year-old from Manassas, Va., was a gift from his wife and an opportunity to improve his photography skills with the help of guide and professional photographer Tom Murphy. (Murphy did not assist in the taking of this photo). (Photo by Dale A. Browne)

A woman attempts to cover a tear gas canister fired by police at a crowd in Srinagar protesting against the recent killings in Kashmir, August 17, 2016. (Photo by Cathal McNaughton/Reuters)

Giant panda Mei Xiang discovers a birthday cake meant for her cub Bei Bei (NP) who turns one at the Smithsonian National Zoo in Washington, DC on August 20, 2016. (Photo by Linda Davidson/The Washington Post)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)