The 100-metre (300-foot), sword-wielding statue of “The Motherland” is seen in the National Museum of the History of the Great Patriotic War in Kiev March 17, 2014. On a blustery day on the banks of the Dnieper, the statue of “The Motherland”, a Soviet hammer and sickle on her shield, towered overhead, a reminder of the common cause Ukrainians and Russians died for side by side in their millions in World War Two and which Russian President Vladimir Putin thinks Ukraine has betrayed by turning to “fascism” and the West. (Photo by Konstantin Grishin/Reuters)

“A topless women's rights activist hacked down a Christian cross in the Ukrainian capital Kiev with a chain saw on Friday in protest at the prosecution of the Russian feminist punk band, p*ssy Riot”. – Reuters. (Photo by FEMEN)

Emergency workers save a shepherd dog from a beach during a forest fire on August 2, 2021 in Mugla, a Marmaris' district, as Turkey struggles against its deadliest wildfires in decades. A roaring blaze raced toward a Turkish thermal power plant and farmers herded panicked cattle toward the sea as wildfires that have killed eight people raged on for a seventh day. The nation of 84 million has been transfixed in horror as the most destructive wildfires in generations erase pristine forests and rich farmland across swaths of Turkey's Mediterranean and Aegean coasts. (Photo by AFP Photo/Stringer)

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.

Hindu devotees, their bodies pierced with lemon and paladai, or bowl with a spout mainly used to feed milk to infants, wait to participate in a procession to mark Shivratri, or the night of Shiva, in Chennai, India, Wednesday, February 18, 2015. Such processions are held as an offering and show of devotion by devotees on the day dedicated to the worship of Lord Shiva, the Hindu god of destruction. (Photo by Arun Sankar K./AP Photo)

Demonstrators argue in front of the Louisville Metro Hall on September 5, 2020 in Louisville, Kentucky. Ahead of the Kentucky Derby, demonstrators clashed over recent looting and destruction in the area and the death of Breonna Taylor, who was fatally shot by Louisville Metro police officers during a no-knock raid at her apartment on March 13, 2020. (Photo by Brandon Bell/Getty Images)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)