With its huge eyes, comical name and diminutive size, Mark R. Smith’s image of a baby Hawaiian bobtail squid can’t help but raise a smile. A curiously endearing creature, the cephalopod is just 1.5cm across, its mantle cavity bearing more than a passing resemblance to a rather natty shower cap. But it is also a beautiful example of symbiosis – nature’s version of “I’ll scratch your back if you scratch mine” – for on the underside of the squid is a light organ which houses bioluminescent bacteria. The squid offers the bacteria protection and food, while the bacteria emit a glow – a handy trait that the squid uses to offset its silhouette, helping it to evade predators in the depths below. Mark R. Smith’s entry combines several images of a Hawaiian bobtail squid with different focus lengths to create a final picture with greater depth of field than normal. (Photo by Mark R. Smith/Wellcome Images/Macroscopic Solutions)

The materialisation of this house is a dream come true for the owner. This house was built in Germany, in the town called Zell and what is the most astonishing about it is the stone used in the whole design. It was built by Walter Andre and it looks as if it just got out from a fairytale, and everything from its fantastic roof to it’s sandstone windows points in that direction.

“Filthy Luker is a painter who is really attacking his audience. Who could think that a green octopus suddenly starts to creep out from the windows, a huge banana rind lounges just in the center of a road and the trees start to see!” (Photo by Filthy Luker/Vedi tutte le foto via Giornalettismo.com)

From Tibetan monks playing basket ball with ice thawing high up in the Himalayas, to the pollution that hides behind the Taj Mahal, here’s pick from 60 exceptional environmental photographs, by photographers and filmmakers from 70 countries, that will go on show at the Royal Geographical Society in London from 29 June to 21 August. The winners will be announced on 28 June. Here: Gravel Workmen of Chittagong, Bangladesh, by Faisal Azim. Gravel workmen look through a glass window at a gravel-crushing yard in Chittagong. Full of dust and sand, it is an extremely unhealthy environment for working, but still hundreds of people work here for their livelihoods. (Photo by Faisal Azim/2016 Atkins CIWEM Environmental Photographer of the Year)

Respect, Kronotsky nature reserve, Russia. The photographer’s cat, Ryska – her name means little lynx in Russian – stands outside their cabin and with aggressive posturing warns off a fox. In winter, foxes would regularly visit the cabin searching for food. If one peered in at the window, possible when the snow was deep, Ryska would sit on the other side, fur raised, and growl. When outside, she would hold her ground. The foxes were not always frightened and so encounters could be a sort of dance. (Photo by Igor Shpilenok/Unforgettable Behaviour/NHM)

In this photo taken in October 1917, provided by Russian State Documentary Film and Photo Archive, a machine gunner looks through a window at his position near the Kremlin in Moscow, Russia. The 1917 Bolshevik Revolution was long before the digital revolution allowed anyone to instantly document events. But the clumsy cameras of the time still caught some images that capture the period's drama. (Photo by Russian State Documentary Film and Photo Archive via AP Photo)

A restaurant worker wearing a mask cleans the windows as the restaurant reopens amid the COVID-19 pandemic in Sao Paulo, Brazil, Monday, July 6, 2020. Bars, restaurants and beauty salons were allowed to re-open Monday after over three months of quarantine, and are required to observe preventative measures and reduced operating hours only during the day. (Photo by Andre Penner/AP Photo)