Members of the Gremlins Carnival Club, open the doors to their workshop to unveil for the first time their cart, Jungle Drums, which is their entry to this year's Bridgwater Carnival, on November 4, 2011 in Bridgwater, England. (Photo by Matt Cardy/Getty Images)

People move through a waterlogged street in Gauhati, India, Tuesday, July 16, 2013. Heavy showers flooded some areas in the city on Tuesday. (Photo by Anupam Nath/AP Photo)

A participant sets off on a penny-farthing bicycle at the start of the The Tweed Run in central London, Britain, May 14, 2016. The Tweed Run, a very British public bicycle ride through London's streets, with a prerequisite that participants are dressed in their best tweed cycling attire. (Photo by Hannah McKay/Reuters)

Construction of the cable road on Broadway in 1891. (Photo by New York Public Library)

Mary Hickey poses with her collection of dolls at her home in Ashbourne, Ireland October 9, 2013. Hickey has been collecting the dolls for over thirty years and now owns over 420 dolls. (Photo by Cathal McNaughton/Reuters)

Participants perform a dragon dance as they march during a lantern parade marking the start of a month- long “Lotus Lantern Festival” to celebrate the upcoming Buddha' s birthday, in Seoul on April 29, 2017 Buddha' s birthday falls on May 3. (Photo by Ed Jones/AFP Photo)

French mounted bullfighter Lea Vicens is gored by her first bull and falls off her horse during the 31st day of the San Isidro bullfighting festival at Las Ventas bullring in Madrid, Spain, 10 June 2017. (Photo by Victor Lerena/EPA)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)