Kritchaya “Lolita” Boonhor (R) curls her eyelashes in ladyboy Candy's (L) room while she chats her about her boyfriend, in Bangkok, Thailand, 27 November 2017. Most things in life are a question of negotiation. Lolita is a woman, that was not to be negotiated. What needed to be negotiated was how she was perceived by those around her. And that negotiation was one that took time and effort. (Photo by Lola Levan/EPA/EFE)

A robot, developed by start-up firm Asimov Robotics, holds a tray with face masks and sanitizer after the two robots were launched to spread awareness about the coronavirus, in Kochi, India, March 17, 2020. (Photo by Sivaram V/Reuters)

Staff from Local Ocean Conservation and fishermen lifting a mature Loggerhead sea turtle into a car, after the turtle was hooked out on the open water and needs to be taken to observation in the rehabilitation centre before being released back into the ocean, in Watamu, Kenya on May 22, 2025. (Photo by Fredrik Lerneryd/AFP Photo)

In this handout image provided by Parks Australia, thousands of red crabs are seen walking in a drain on November 23, 2021 in Christmas Island. The annual migration of red crabs begins with first rains of the wet season on Christmas Island, usually around October or November. Millions of the red crabs make their way across the island to the ocean to mate and spawn. (Photo by Parks Australia via Getty Images)

In this January 4, 2016 photo, the weapon of a rebel fighter for the 36th Front of the Revolutionary Armed Forces of Colombia, or FARC, hangs from a branch serving as a makeshift clothesline, near a rebel camp, in Antioquia state, in the northwest Andes of Colombia. “We’ll lay aside our weapons, like the accord says, but never hand them over”, says Juan Pablo, a commander of the 36th Front. (Photo by Rodrigo Abd/AP Photo)

“Cyber Monsoon”, honorable mention in Places category. A torrential monsoon rain in Bhaktapur, Nepal. (© Anuar Patjane)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)