Sophia Loren gave the most legendary side-eye ever, shooting daggers at Jayne Mansfield in 1957. (Photo by Everett Collection)

Nasar, an Arabian horse, stands in the office of doctor Stephanie Arndt at her home on February 19, 2014 in Holt, Germany. Fearing for the horse's safety, Mrs. Arndt brought the horse into her house during the Xaver heavy storm back in December, and the horse now wanders through the house daily, inspecting details and looking for snacks. Mrs. Arndt says she doesn't mind, and though the horse never spends the night, it does occasionally take a nap in the house. (Photo by Patrick Lux/Getty Images)

Cecilia Paredes was born in Lima, Peru, and lives and works in San Jose and Philadelphia, United States. Her recent photographic work is a conspicuous exploration of sensual surfaces in which the body is deliberately confused with nature and nature with the body.

When you gaze into the eyes of this beautiful creature, you can almost make out constellations forming deep within. The name of this magnificent bird is Zeus, named after the Greek god of the sky for her one-of-a-kind eyes. The reason why she has such eyes is because she is blind. She was saved by a family in Southern California, when they found her injured on their front porch. After realizing that this poor creature is blind and unable to take care of itself, they took her to an animal hospital. After she healed up, everyone agreed that she should be sent to the Wildlife Learning Center. From that point on, Zeus has been happily living in the center. And though she cannot see, you can bet that her other senses are ten times as sharp. (Photo by Wildlife Learning Center)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A woman sits next to a dog during the fifth edition of the “Mi Mascota” (My Pet) fair in Malaga, southern Spain, November 27, 2016. (Photo by Jon Nazca/Reuters)