A Capybara bathes in the hot spring water at the Saitama Children's zoo in Higashi Matsuyama city, Saitama prefecture on December 21, 2014. Seven capybaras in the zoo, originally from South America, enjoyed the hot spring water on the chilly winter day in Japan. (Photo by Toshifumi Kitamura/AFP Photo)

U.S. singer Katy Perry slips on the icing of a giant cake that she had jumped onto as part of her performance at the MTV Latin America Awards in Guadalajara, in this October 16, 2008 file photo. (Photo by Daniel Aguilar/Reuters)

The coendou porcupine couple 'Joppi' (L) and 'Fletcher' nibble at a vegetables in their enclosure at the zoo in Frankfurt am Main, Germany, 03 December 2015. Coendou porcupines are nocturnal rodents related to porcupines and guinea pigs and native to the rain forests of Central and South America as well as Trinidad. (Photo by Arne Dedert/EPA)

Aerobatic pilot Sean D. Tucker flies in the two-seat Oracle Extra airplane over downtown Chicago skyline, Wednesday, June 8, 2016. Tucker will perform before the start of of the America's Cup World Series racing on Saturday and Sunday. (Photo by Kiichiro Sato/AP Photo)

In this September 17, 2010 file photo a little brown bat is photographed in La Crosse Wis. Researchers for the first time found that little brown bats appear to be showing resistance to white-nose syndrome, which has killed millions of bats across North America. (Photo by Peter Thomson/La Crosse Tribune via AP Photo)

Venezuelan artist Deborah Castillo licks the boots of a man dressed as a member of the military during her performance “Lamebrasil, Lamezuela – questioning power in Latin America”, in Sao Paulo, Brazil, March 24, 2019. (Photo by Amanda Perobell/Reuters)

Fyn Baily aged eight at the Bloodstock festival on August 13, 2011 in Walton-on-Trent, United Kingdom. Bloodstock is the UK's largest heavy metal festival and features both established and unsigned bands over four days. (Photo by Bethany Clarke/Getty Images)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.