An elephant “kisses” a visitor during a show at an elephant training school in Xishuangbanna, Yunnan province, April 18, 2015. Some 16 elephants live at the school and give four 30-minute performances everyday for visitors. (Photo by Wong Campion/Reuters)

Farmers take a break for lunch while celebrating National Paddy Day, also called Asar Pandra, that marks the commencement of rice crop planting in paddy fields as monsoon season arrives, in Kathmandu, Nepal, June 29, 2020. (Photo by Navesh Chitrakar/Reuters)

Juleny Favela – Que Nadie Sepa mi Sufrir. Argentine song from 1936 with Peruvian waltz rhythm by Argentinan guitarist Angel Cabral.

LITTLE BIG – EVERYBODY (Little Big Are Back) Official Music Video. Little Big is a Russian rave band founded in 2013 in Saint Petersburg. The team calls itself a satirical art collaboration, which relies on the music, visuals, and the show. The band was influenced by a variety of musicians from Cannibal Corpse, NOFX, Red Hot Chili Peppers, Rammstein, and The Prodigy to Mozart and Vivaldi.

A performer wearing costumes walk on stilts before a show during a lantern fair at the beginning of Chinese Lunar New Year, in Xi'an, Shaanxi province, February 11, 2016. (Photo by Reuters/Stringer)

A group of young men use a selfie stick to take a picture of themselves in shallow waters known as the first cataract of the River Nile outside Khartoum, Sudan, May 22, 2015. In Sudan, which faces insurgences in the western region of Darfur and along its border with breakaway South Sudan, as well as double-digit inflation and high unemployment, life goes on for young people in the capital Khartoum. (Photo by Mohamed Nureldin Abdallah/Reuters)

Erzhena Zhamyanova (“Amar Sain” theater) and Buryat folk instruments orchestra – Dance Monkey. “Dance Monkey” is a song by Australian singer Tones and I, released on May 10, 2019 as the second single (first in the US) from Tones and I's debut EP The Kids Are Coming.

宇多田ヒカル (Utada Hikaru) –One Last Kiss. Utada Hikaru is a Japanese-American singer-songwriter and producer. By the end of the 2000s, Utada was deemed “the most influential artist of the decade” in the Japanese music landscape by The Japan Times. Utada's commercial success has made her one of Japan's top-selling recording artists of all time.