Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)

Boys play with a ball in front of oilfields burned by Islamic State fighters in Qayyara, south of Mosul, Iraq November 23, 2016. (Photo by Goran Tomasevic/Reuters)

The sunrise at Boscombe beach at Bournemouth in Dorset, southwest United Kingdom on February 23, 2021. (Photo by Steve Hogan/pictureexclusive.com)

Nekama, a baby North Chinese leopard, emerges from a basket at her official presentation to the media at Tierpark zoo on March 15, 2011 in Berlin, Germany. Nekama was born on January 7, 2011 and currently weighs 4.5 kg.

U.S. players push head coach Adam Krikorian into the pool after they defeated the Netherlands in their women's water polo gold medal match during the Aquatics World Championships in Kazan, Russia, August 7, 2015. (Photo by Michael Dalder/Reuters)

Dancers perform at fuse's LadyGagaThon at fuse Studios on May 23, 2011 in New York City. (Photo by Cindy Ord/Getty Images)

James Doran has created two epic dragon sculpture. The first, perched on a dead tree, is called ‘The Wyvern in the Baobabs’ (a wyvern is a type of dragon with two legs and two wings). The other, ‘Wyvern’s Folly,’ is perched on a gazebo made from reclaimed steel and recycled water bottles.

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)