Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

An artist takes part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 20, 2019. Living statues are a common sight in many city centers, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

A spinning top is seen on a hand during a performance at Sanxia old street in New Taipei City, Taiwan May 8, 2016. Taiwan's ancient folk art of spinning tops is kept alive by a group of enthusiasts who perform intricate tricks with the toys at a temple in Taipei, the capital. (Photo by Tyrone Siu/Reuters)

Artist Princess Tarinan von Anhalt throws paint into the flow of air coming from the engine of Flexjet’s Learjet 40 XR engine to create a painting on a canvas at Signature Flight Support in West Palm Beach, Florida. The artist associated with the Jet Art Group used the help of Flexjet and their plane to spray paint on a canvas to create distinctive paintings to celebrate the 50th anniversary of Learjet. (Photo by Thomas Cordy/The Palm Beach Post)

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space