This photo taken on April 16, 2014 shows ethnic Kayan women wearing traditional clothes and bronze rings around tbeir neck in Panpet village, Demoso township in Kayah state, eastern Myanmar. Some ethnic Kayan women, also known as Padaung, begin wearing the bronze rings on their neck and legs from a young age. Usually they start wearing six to ten rings when they are five to ten-years-old and then they put on one more ring a year for years after then. (Photo by Ye Aung Thu/AFP Photo)

Noriaki Iwashima gestures as he lies in a coffin to try it out during an end-of-life seminar held by Japan's largest retailer Aeon Co in Tokyo October 24, 2014. Funeral arrangements are normally left to those who have been left behind but the latest trend in Japan, which literally translates to “End of life” preparations, is for the ageing to prepare their own funerals and graves before they set off on their journey to the great beyond. With a population that is expected to shrink by nearly 30 million people over the next 50 years, the market for funerals, graves and anything related to the afterlife is still very much alive. (Photo by Toru Hanai/Reuters)

General view of the monument to memory of soldiers who liberated the city of Knin – in Knin, Croatia on November 10, 2014. Across the former Yugoslavia stand giant monuments to a state that no longer exists, once visited and celebrated during public holidays such as Republic Day on November 29, marking the creation of socialist Yugoslavia. Many are now neglected or ignored, aging symbols of a joint state forged during World War Two but torn apart by nationalism half a century later. Republic Day is no longer marked in any of the seven independent states that emerged from its ashes. (Photo by Antonio Bronic/Reuters)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

“Getting to see girls’ bedrooms must have been a teenage obsession for the members of the all-male photographic collective Riverboom. Now that they have more or less grown up, they have decided to transform that dream into a reality. Riverboom’s Gabriele Galimberti and Edoardo Delille are traveling the five continents to see where girls, between the ages of 18 and 30, sleep. They have discovered that girls’ bedrooms are much more then just places where they lay down their heads – they are the places where girls read, love, dream, work and play”. – Gabriele Galimberti. Photo: Katerinai, 27 – Athens, Greece. (Photo by Gabriele Galimberti/Riverboom Ltd)

An Indian worker makes a roll of the kite thread being prepared on a roadside on the outskirts of Amritsar, India, 24 November 2020. The kite string or the “Dor”, in the local language, is made of crushed glass, glue, colors, and egg to make it strong enough to hold the kite. (Photo by Raminder Pal Singh/EPA/EFE)

In this Saturday, March 21, 2015 photo, a porter rests carrying supplies for the upcoming climbing season, near the Everest Base camp, Nepal. Nepal has cleared more than 300 mountaineers to climb Mount Everest after they had to abandon last year's efforts when an ice avalanche killed 16 guides in the mountain's deadliest disaster, an official said on March 20. The three-month climbing season for Everest, the world's tallest mountain, begins in March. (Photo by Tashi Sherpa/AP Photo)

Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)