A man works on a small replica of the Iron Man armor next to a homemade replica of the “Hulkbuster” Iron Man armour from the movie “Avengers: Age of Ultron”, at an underground parking lot in Zhengzhou, Henan province, China, May 12, 2015. The 3.4-metre-tall replica is made of over 100 fiber-reinforced plastic components. It took Xing and his friends two months to put them together after watching the trailer of the movie in March, local media reported. (Photo by Reuters/Stringer)

A group of people walk on the sea wall as a man kayaks through the flooded parking lot in downtown Annapolis, Maryland, on October 29, 2021. The US National Weather Service implemented a flood watch for the cities of Baltimore and Annapolis as well as Anne Arundel, Baltimore and Howard counties. Washington, DC, and parts of Virginia faced the same alert. (Photo by Jim Watson/AFP Photo)

Vervet monkeys Higgins, left, and Andor fight playfully atop a car in the Park 'N Fly parking lot which lies adjacent to the swampy mangrove preserve where the monkey colony lives, Tuesday, March 1, 2022, in Dania Beach, Fla. For 70 years, a group of non-native monkeys has made their home next to a South Florida airport runway, delighting visitors and becoming local celebrities. (Photo by Rebecca Blackwell/AP Photo)

Once upon a time a girl named Laura lived in Columbus, Ohio. She had a nice family, and got good grades, but it was always rainy and cold in Columbus, which was neither nice nor good, so she wore lots of sweaters and turned the heat up when her dad wasn’t looking.

Senji Nakajima sleeps with his Love Doll “Saori” at Love Hotel on June 4, 2016 in Nagano, Japan. Senji Nakajima, 61 years old, lives with his life-size “love doll” named “Saori” in his apartment in Tokyo, Japan. Nakajima, married with two children, who lives away from home for work, first started his life with Saori six years ago. (Photo by Taro Karibe/Getty Images)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.