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A traditional game that earned hollers from the crowd saw a male rider gallop after a young woman, stretching for a kiss. Only a handful of the men managed the risky peck before the young women turned the tables and thundered after the men with whips in hand. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)

A traditional game that earned hollers from the crowd saw a male rider gallop after a young woman, stretching for a kiss. Only a handful of the men managed the risky peck before the young women turned the tables and thundered after the men with whips in hand. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)
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06 Sep 2018 00:01:00
Competitors line up their boats for some formalities during the Aberdeen Dragon Boat Races. (Photo by Jessica Hromas/Getty Images)

Competitors line up their boats for some formalities during the Aberdeen Dragon Boat Races. (Photo by Jessica Hromas)
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13 Jun 2013 09:59:00
A jeepney waits for departure at Baguio (North Luzon). (Photo by Claudio Sieber/Barcroft Media)

These Filipino icons of ingenuity were originally re-crafted from abandoned US army jeeps after the second world war, and helped to establish a new system of urban transportation. Jeepneys are being phased to help ease city congestion, but the move will also cause unemployment for experienced drivers – and higher fares for commuters. (Photo by Claudio Sieber/Barcroft Media)
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30 May 2019 00:01:00
Abdullahi Mohammed with Mainasara, Ogere-Remo, Nigeria 2007

“Pieter Hugo was born 1976 and grew up in Cape Town, South Africa. He is a South African photographer who primarily works in portraiture and whose work engages with both documentary and art traditions with a focus on African communities. His most recognized work is the series called “The Hyena & Other Men” and which was published as a monograph. It has received a great deal of attention. Hugo won first prize in the Portraits section of the World Press Photo 2005 for a portrait of a man with a hyena”. – Wikipedia

Photo: Abdullahi Mohammed with Mainasara, Ogere-Remo, Nigeria 2007. (Photo by Pieter Hugo)
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24 Apr 2012 13:03:00
“In the late afternoon after a rain, genji botaru fireflies (luciola cruciate) dance above the swollen creek. The rocks darkened by the rain reflecting the blue sky, and the yellow-green ribbon of the glow from the fireflies, make a beautiful contrast”. – Takehito Miyatake. (Photo by Takehito Miyatake/Steven Kasher Gallery)

“In the late afternoon after a rain, genji botaru fireflies (luciola cruciate) dance above the swollen creek. The rocks darkened by the rain reflecting the blue sky, and the yellow-green ribbon of the glow from the fireflies, make a beautiful contrast”. – Takehito Miyatake. (Photo by Takehito Miyatake/Steven Kasher Gallery)
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19 Jun 2014 09:13:00
Skullptures by Hedi Xandt

Hedi Xandt imagines impressive sculptures. Mixing styles and materials with talent, the artist invites us to discover his dark and intense universe.
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15 Oct 2013 11:32:00
His wife, daughter, granddaughter and friends have their last earthly visit with a villager. (Photo by W. Eugene Smith/Time & Life Pictures)

“Originally published in the April 9, 1951, issue of LIFE magazine, W. Eugene Smith’s photo essay, «Spanish Village», has been lauded for more than six decades as the most moving photographic portrait ever made of daily life in rural Spain during the rule of dictator Francisco Franco”. – Time & Life Pictures. Photo: His wife, daughter, granddaughter and friends have their last earthly visit with a villager. (Photo by W. Eugene Smith/Time & Life Pictures)
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30 Apr 2013 10:11:00
“Point Blank” – Gun Series by Peter Andrew. (Photo by Peter Andrew)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)
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26 Aug 2013 10:03:00